Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 2
... existence , but only some sem- blance of existence ; and if any one were to say that the work of the maker of the bed , or of any other workman , has real existence , he could hardly be supposed to be speaking the truth . At any rate ...
... existence , but only some sem- blance of existence ; and if any one were to say that the work of the maker of the bed , or of any other workman , has real existence , he could hardly be supposed to be speaking the truth . At any rate ...
Page 82
... existence depends not merely the writing of tragedy but the existence of that religious feeling of which tragedy is an expression and by means of which a people aware of the dissonances of life manages never- theless to hear them as ...
... existence depends not merely the writing of tragedy but the existence of that religious feeling of which tragedy is an expression and by means of which a people aware of the dissonances of life manages never- theless to hear them as ...
Page 121
... existence , and allows the individual to communicate his feeling and his striving to mankind as a whole . The secret of artistic creation and of the effec- tiveness of art is to be found in a return to the state of participation ...
... existence , and allows the individual to communicate his feeling and his striving to mankind as a whole . The secret of artistic creation and of the effec- tiveness of art is to be found in a return to the state of participation ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing