Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - 553 pages |
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Page 340
... effect ; it is much more Virgilian , too , than the later effect which Milton has in the lines of the Paradise Lost , where the great departure from the epical sub- stance of the Virgil makes it needful to depart from the poetic tone ...
... effect ; it is much more Virgilian , too , than the later effect which Milton has in the lines of the Paradise Lost , where the great departure from the epical sub- stance of the Virgil makes it needful to depart from the poetic tone ...
Page 376
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
Page 478
... effect it produces , than by the time it took to impress the effect or by the amount of " sustained effort " which had been found neces- sary in effecting the impression . The fact is , that perseverance is one thing , and genius quite ...
... effect it produces , than by the time it took to impress the effect or by the amount of " sustained effort " which had been found neces- sary in effecting the impression . The fact is , that perseverance is one thing , and genius quite ...
Contents
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Copyright | |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing