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Cold as the snows of Rhodope descend,
And with the chilling waves of Hebrus blend;
So cold the breast where vanity presides,
And the whole subject soul absorbs and guides.
Too well he knew to make his conquest sure,
Win her soft heart, yet keep his own secure.
So oft he told the well-imagined tale,
So oft he swore-how should he not prevail?
The well-imagined tale the nymph believed;
Too unsuspecting not to be deceived:

She loved the youth, she thought herself beloved,
Nor blush'd to praise whom every maid approved.
The conquest once achieved, the brightest fair,
When conquer'd, was no longer worth his care;
When to the world her passion he could prove,
Vain of his power, he jested at her love.
The perjured youth, from sad Ianthe far,
To win fresh triumphs, wages cruel war.
With other nymphs behold the wand'rer rove,
And tell the story of Ianthe's love;
He mocks her easy faith, insults her woe,
Nor pities tears himself had taught to flow.
To sad Ianthe soon the tale was borne,
How Polydore to treachery added scorn.

From The Bleeding Rock.


Mother Bunch's morals tell

How blest all were who acted well!
How the good little girl's regarded,
And boy who learns his book rewarded!
How loss of favour follows rudeness,
While sugar plums repay all goodness!
How she who learns to read or write,
Will get a coach or chariot by 't;
And not a faggot-maker's daughter

But has it at her christening taught her,

By some invited fairy guest,

That she shall wed a prince at least;

And through the whole this truth's pursued,

That to be happy 's to be good.

If these to life be contradictions,
Mark the morality of fictions;
Axioms more popular they teach,
That to be good is to be rich!
For all the misses marry kings,

And diamonds are but common things;
While dames in history hardly get 'em,
Our heroines ope their mouths and spit 'em.
Oh, this is profitable learning,

Past cold historians' dull discerning;
Who, while their annals they impart,
Expose but seldom mend the heart.
I grant, they teach to know mankind,
To learn we're wretched, weak, and blind :
But till the heart from vice is clear,
Who wants to know what passes there?
Till Hercules to cleanse was able,
No doubt they shut th' Augean stable.
Here too in high emphatic tone
The power of female worth is shown;
Ev'n enterprising Joan of Arc
Falls short of true heroic mark;
Thalestris was a mere home-keeper,
And swift Camilla but a creeper.
Here deeds of valour are as common
As song or dance, to real woman;
And meekest damsels find it facile
To storm a giant's moated castle;
Where draw-bridges do open fly
If virgin foot approaches nigh;
And brazen gates with twenty locks,
At which an army vainly knocks,
Fly ope, nor on their hinges linger,
At touch of virgin's little finger.

Then slow attacks, and tiresome sieges, Which history makes the work of ages, Are here, by means of fairy power, Achieved with ease in half an hour. Tactics! they prove there's nothing in it, Who conquer kingdoms in a minute: They never hear of ten years' jars

(For Troy's the average length of wars);
And diplomatic form and rule

Might learn from Mother Bunch's school,
How rapidly are state intrigues

Convey'd with boots of seven long leagues.

Here farther, too, our great commanders Who conquer'd France, and rescued Flanders, From Mother Bunch's Tales might hear

Some secrets worth a general's ear;

How armies need not stop to bait,
And heroes never drink or eat;
Wrapt in sublimer occupation
They scorn such vulgar renovation.
Your British generals cannot keep
Themselves or followers half so cheap :
For men and horses, out of books,
Call, one for corn, and one for cooks;
And dull historic nags must stay
For provender of oats and hay:

While these bold heroes wing their flight
Through twenty kingdoms in a night;
Of silvery dew they snatch a cup,
Or on a slice of moonshine sup:
And while they fly to meet their queen,
With half the convex world between,
Their milk-white palfreys scorning grass,
Just crop a rose-leaf as they pass.

Then Mother Bunch's morals strike,
By praising friend and foe alike.
What virtue to the world is lost,
Because on thy ill-fated coast,
O Carthage! sung alone by foes,
The sun of history never rose!
Fertile in heroes, didst thou own

The muse that makes those heroes known;
Then had the bright reverse appear'd,
And Carthaginian truth been clear'd:
On Punic faith, so long reviled,
The wily African had smiled;
And, possibly, not much had err'd,

If we of Roman fraud had heard.

Then leave your Robertsons and Bryants For John the murderer of giants;

Since all mythology profane

Is quite as doubtful, quite as vain.

Though Bryant, learned friend of youth,

His fable consecrates to truth:

And Robertson with just applause
His finish'd portraits fairly draws.
Yet history, great Raleigh knew,
And knowing, grieved, may not be true;


For how the facts are we to know
Which pass'd a thousand years ago;
When he no just account could get
Of quarrel in th' adjacent street?
Though from his chair the noise he heard,
The tale of each relater err'd.

From An Heroic Epistle to a Child, written on the
blank leaves of Mother Bunch's Tales.


And what is death?

Is it so terrible to die, my brother?
Or grant it terrible, is it for that
The less inevitable? If, indeed,

We could by stratagem elude the blow,
When some high duty calls us forth to die,
And thus for ever shun it, and escape

The universal lot,-then fond self-love,

Then cautious prudence, boldly might produce,
Their fine-spun arguments, their learn'd harangues,
Their cobweb arts, their phrase sophistical,
Their subtile doubts, and all the specious tricks
Of selfish cunning labouring for its end.

But since, howe'er protracted, death will come,
Why fondly study, with ingenious pains,
To put it off?-To breathe a little longer
Is to defer our fate, but not to shun it.
Small gain! which wisdom, with indifferent eye,
Beholds. Why wish to drink the bitter dregs
Of life's exhausted chalice, whose last runnings,
E'en at the best, are vapid? Why not die

(If Heaven so will) in manhood's opening bloom,
When all the flush of life is gay about us;

When sprightly youth, with many a new-born joy,
Solicits every sense? So may we then

Present a sacrifice, unmeet indeed,

(Ah, how unmeet!) but less unworthy far,

Than the world's leavings; than a worn-out heart,
By vice enfeebled, and by vain desires

Sunk and exhausted!

From David and Goliath.

THIS gentle and amiable poet of nature was born at Honington, near Bury, in the county of Suffolk, on the 3d of December, 1766. His mother being left a widow, with a family of six children, and in straitened circumstances, Robert had no other instruction during his boyhood except what he received from herself, and at the age of eleven he was obliged to enter into the service of a neighDouring farmer. Here, however, it was found that his small and delicate frame was unfitted for any kind of agricultural labour, upon which he was sent to London, to learn the trade of a shoemaker from his elder brother, who was settled there as a journeyman. But while he was employed at his work-stall, or in running errands for the workmen, the aspiring boy showed the innate force of his genius by his solicitude for knowledge, and the rapidity with which he acquired it. Thus he went on till his seventeenth year, when he made his first attempt in poetry; and when he had made the delightful discovery that he could express himself in rhyme, he persevered until his efforts became poetry. It was in a garret in London, and amidst the incessant hammering of six or seven fellow-workmen, that he composed his Farmer's Boy. But even such an effort of genius surmounting difficulty might have been fruitless, for the poem on being shown in manuscript to several literary persons was strangely neglected, until it came into the hands of Mr. Capel Lofft. That amiable and talented gentleman perceived the extraordinary merits of the work, and resolved to befriend the author; the result of which kindness was, that The Farmer's Boy was published under favourable auspices, and with such remarkable success, that repeated editions were demanded, and Bloomfield himself was astonished to find it ranked among the chief productions of the day.

It is melancholy to add, that, notwithstanding the celebrity he had acquired, the steps of the poet still continued to be haunted by poverty: but this was owing to his liberal and affectionate disposition, that looked upon money only as valuable by how much it could relieve the distresses of his poor relations. He died in Bedfordshire, on the 19th of August, 1523.


Shot up from broad rank blades that droop below,
The nodding WHEAT-EAR forms a graceful bow,
With milky kernels starting full, weigh'd down,
Ere yet the sun hath tinged its head with brown;
Whilst thousands in a flock, for ever gay,
Loud chirping sparrows welcome on the day,
And from the mazes of the leafy thorn
Drop one by one upon the bending corn.
Giles with a pole assails their close retreats,
And round the grass-grown dewy border beats,
On either side completely overspread,

Here branches bend, there corn o'ertops his head.
Green covert, hail! for through the varying year
No hours so sweet, no scene to him so dear.


Its dark-green hue, its sicklier tints all fail, And ripening harvest rustles in the gale.

A glorious sight, if glory dwells below,

Where Heaven's munificence makes all the show,

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