The Complete Works of William Shakespeare, Volume 2Jefferson Press, 1907 |
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Page 130
William Shakespeare. COPYRIGHT 1905 , BY THE UNIVERSITY PRESS THE CO THE MERCHANT OF VENICE J. WALTER WEST PORTIA.
William Shakespeare. COPYRIGHT 1905 , BY THE UNIVERSITY PRESS THE CO THE MERCHANT OF VENICE J. WALTER WEST PORTIA.
Page 131
William Shakespeare. THE CO THE MERCHANT OF VENICE J. WALTER WEST PORTIA . " Bid me tear the bond . " . ACT IV . SCENE I , line 229 . bor НІТНОС " brod and Tobi " МУГЛЕН ПСел дотизу.
William Shakespeare. THE CO THE MERCHANT OF VENICE J. WALTER WEST PORTIA . " Bid me tear the bond . " . ACT IV . SCENE I , line 229 . bor НІТНОС " brod and Tobi " МУГЛЕН ПСел дотизу.
Page 133
William Shakespeare. VOLUME II THE MERCHANT OF VENICE WITH A SPECIAL INTRODUCTION BY THEODORE WATTS - DUNTON AND AN ORIGINAL FRONTISPIECE BY J. WALTER WEST BOSTON THE JEFFERSON PRESS NEW YORK Copyright , 1907 BY THE UNIVERSITY PRESS ...
William Shakespeare. VOLUME II THE MERCHANT OF VENICE WITH A SPECIAL INTRODUCTION BY THEODORE WATTS - DUNTON AND AN ORIGINAL FRONTISPIECE BY J. WALTER WEST BOSTON THE JEFFERSON PRESS NEW YORK Copyright , 1907 BY THE UNIVERSITY PRESS ...
Page 134
William Shakespeare. Copyright , 1907 BY THE UNIVERSITY PRESS Entered at Stationers ' Hall , London All Rights Reserved CONTENTS INTRODUCTION TO THE MERCHANT OF VENICE BY THEODORE WATTS.
William Shakespeare. Copyright , 1907 BY THE UNIVERSITY PRESS Entered at Stationers ' Hall , London All Rights Reserved CONTENTS INTRODUCTION TO THE MERCHANT OF VENICE BY THEODORE WATTS.
Page 135
William Shakespeare. CONTENTS INTRODUCTION TO THE MERCHANT OF VENICE BY THEODORE WATTS - DUNTON . TEXT OF THE PLAY . • PAGE ix 1 • INTRODUCTION A FTER Nature had conceived and brought forth the.
William Shakespeare. CONTENTS INTRODUCTION TO THE MERCHANT OF VENICE BY THEODORE WATTS - DUNTON . TEXT OF THE PLAY . • PAGE ix 1 • INTRODUCTION A FTER Nature had conceived and brought forth the.
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Common terms and phrases
Antonio Armado BASS Bassanio Ben Jonson BIRON blood bond BOYET casket Christian comedy COST Costard court doth dramatic dramatist ducats DUKE DULL Dumain Elizabethan Enter Exeunt Exit eyes fair fair lady father flesh Folio fool forsworn gentle give grace Gratiano hast hath hear heart heaven Hector Holofernes honour humour infra Jaquenetta Jessica Jew's KATH KING king of Navarre l'envoy lady LAUN Launcelot letter light live LONG Longaville look lord Lorenzo Love's Labour's Lost Lyly's madam marry master means Merchant of Venice merry Monarcho MOTH NATH Navarre Nerissa never oath play plot Pompey Portia praise princess quarto reading ring Rosaline SALAN SALAR SCENE Shakespeare Shylock Sonnet soul speak story supra swear sweet tell thou Three thousand ducats tongue true wench word Worthies
Popular passages
Page 125 - Tu-whit, tu-who - a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow, And coughing drowns the parson's saw...
Page 93 - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Page 22 - Shylock, we would have moneys:' you say so; You, that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say, ' Hath a dog money ? Is it possible A cur can lend three thousand ducats...
Page 109 - How sweet the moonlight sleeps upon this bank ! Here will we sit, and let the sounds of music Creep in our ears ; soft stillness, and the night, Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
Page 100 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Page 110 - Therefore, the poet Did feign that Orpheus drew trees, stones, and floods Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted.
Page 26 - Biron they call him ; but a merrier man. Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit : For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Page 63 - Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished? ® Reply, reply. It is engendered in the eyes, With gazing fed; and fancy dies In the cradle where it lies. Let us all ring fancy's knell. 70 I'll begin it — Ding, dong, bell.
Page 57 - Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? If we are like you in the rest, we will resemble you in that.
Page 125 - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men ; for thus sings he, Cuckoo ; Cuckoo, cuckoo : O word of fear, Uupleasing to a married ear ! WDTTER.