The Best Short Stories of ... and the Yearbook of the American Short Story

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Small, Maynard, 1922
 

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Page 245 - Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain ? . . . oh ! yet Stands the Church clock at ten to three? And is there honey still for tea...
Page 132 - Favour is deceitful, and beauty is vain: but a woman that feareth the Lord, she shall be praised. Give her of the fruit of her hands; and let her own works praise her in the gates.
Page 245 - Rules of Thought. They love the Good; they worship Truth; They laugh uproariously in youth; (And when they get to feeling old, They up and shoot themselves, I'm told) . . Ah God ! to see the branches stir Across the moon at Grantchester!
Page 240 - If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed...
Page xiv - I have set myself the task of disengaging the essential human qualities in our contemporary fiction, which, when chronicled conscientiously by our literary artists, may fairly be called a criticism of life.
Page xvi - The third group, which is composed of stories of still greater distinction, includes such narratives as may lay convincing claim to a second reading, because each of them has survived both tests, the test of substance and the test of form. Stories included in this group are indicated in the yearbook index by two asterisks prefixed to the title. Finally, I have recorded the names of a small group of stories which possess, I believe, the even finer distinction of uniting genuine substance and artistic...
Page xiv - I am not at all interested in formulae, and organized criticism at its best would be nothing more than dead criticism, as all dogmatic interpretation of life is always dead. What has interested me, to the exclusion of other things, is the fresh, living current which flows through the best American work, and the psychological and imaginative quality which American writers have conferred upon it.
Page xv - American work, and the psychological and imaginative reality which American writers have conferred upon it. No substance is of importance in fiction, unless it is organic substance, that is to say, substance in which the pulse of life is beating. Inorganic fiction has been our curse in the past, and bids fair to remain so, unless we exercise much greater artistic discrimination than we display at present.
Page 6 - The man pretended to read a newspaper. He looked at his hands. Although he had washed them carefully, grease from the bicycle frames left dark stains under the nails. He thought of the Iowa girl and of her white quick hands playing over the keys of a typewriter. He felt dirty and uncomfortable. The girl at the factory knew the foreman had fallen in love with her and the thought excited her a little. Since her aunt's death she had gone to live in a rooming house and had nothing to do in the evening....
Page 335 - ... their beat of brass and strings, their whisper of feet, their clink of dimes. . . . Let a man not work away his strength and his youth. Let him breathe a new melody; let him draw out of imagination a novel step, a more fantastic tilt of the pelvis, a wilder gesticulation of the deltoid. Let him put out his hand to the Touch of Gold. . . . It is a tale of this New York. That it didn't chance to happen in New York is beside the point. Where? It wouldn't help you much if I told you. Taai. That island....

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