Is full accomplish'd: For the Roman eagle, Cym. Laud we the gods; And let our crooked smokes climb to their nostrils Friendly together: so through Lud's town march: Our peace we'll ratify; seal we'll ratify; seal it with feasts.— Set on there :-Never was a war did cease, Ere bloody hands were wash'd, with such a peace. [Exeunt. THIS play has many just sentiments, some natural dialogues, and some pleasing scenes, but they are obtained at the expense of much incongruity. To remark the folly of the fiction, the absurdity of the conduct, the confusion of the names and manners of different times, and the impossibility of the events in any system of life, were to waste criticism upon unresisting imbecility, upon faults too evident for detection, and too gross for aggravation JOHNSON. * Johnson's remark on the gross incongruity of names and manners in this play is just, but it was the common error of the age; in The Wife for a Month, of Beaumont and Fletcher, we have Frederick and Alphonso among a host of Greek names, not to mention the firing of a pistol by Demetrius Poliocortes in The Humorous Lieutenant. PYE. It is hardly necessary to point out the extreme injustice of the unfounded severity of Johnson's animadversions upon this exquisite drama. The antidote will be found in the reader's appeal to his own feelings after reiterated perusal. It is with satisfaction I refer to the more just and discriminative opinion of a foreign critic, to whom every lover of Shakspeare is deeply indebted, cited in the preliminary remarks. S. W. S. 152 A SONG, SUNG BY GUIDERIUS AND ARVIRAGUS OVER FIDele, SUPPOSED TO BE DEAD. BY MR. WILLIAM COLLINS. To fair Fidele's grassy tomb, Soft maids and village hinds shall bring No wailing ghost shall dare appear And melting virgins own their love. No wither'd witch shall here be seen, When howling winds, and beating rain, Each lonely scene shall thee restore ; Lavinia. 'Tis present death I beg; and one thing more, That womanhood denies my tongue to tell. ACT ii. Sc. 3. Titus Andronicus. PRELIMINARY REMARKS. ON what principle the editors of the first complete edition of Shakspeare's works admitted this play into their volume cannot now be ascertained. The most probable reason that can be assigned is, that he wrote a few lines in it, or gave some assistance to the author in revising it, or in some way or other aided in bringing it forward on the stage. The tradition mentioned by Ravenscroft, in the time of King James II., warrants us in making one or other of these suppositions. I have been told (says he, in his preface to an alteration of this play, published in 1687), by some anciently conversant with the stage, that it was not originally his, but brought by a private author to be acted, and he only gave some master touches to one or two of the principal parts.' A booke, entitled A Noble Roman Historie of Titus Andronicus,' was entered at Stationers' Hall, by John Danter, Feb. 6, 1593-4. This was undoubtedly the play, as it was printed in that year (according to Langbaine, who alone appears to have seen the first edition), and acted by the servants of the Earls of Pembroke, Derby, and Sussex. It is observable that in the entry no author's name is mentioned, and that the play was originally performed by the same company of comedians who exhibited the old drama, entitled The Contention of the Houses of Yorke and Lancaster, The old Taming of a Shrew, and Marlowe's King Edward II.; by whom not one of Shakspeare's plays is said to have been performed. From Ben Jonson's Induction to Bartholomew Fair, 1614, we learn that Andronicus had been exhibited twenty-five or thirty |