The Works of Shakespeare ..., Volume 3Bobbs-Merrill Company, 1920 |
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Page xiii
... nature of very probable coincidences , than reminiscence or conscious adaptation . The Tale of Gamelyn1 was not printed till 1721 , though it existed in several manuscripts , to one of which Lodge must have had access . Its theme ...
... nature of very probable coincidences , than reminiscence or conscious adaptation . The Tale of Gamelyn1 was not printed till 1721 , though it existed in several manuscripts , to one of which Lodge must have had access . Its theme ...
Page xvi
... natural , " his wit is described as the " dulness of the fool " ; Rosalind refers to him as " the clownish fool " ; one of the usurping Duke's lords , " the roynish clown . " But in Arden he becomes transformed , possibly through the ...
... natural , " his wit is described as the " dulness of the fool " ; Rosalind refers to him as " the clownish fool " ; one of the usurping Duke's lords , " the roynish clown . " But in Arden he becomes transformed , possibly through the ...
Page xviii
... nature , that throughout the play her love - making is in entire keeping with her princely position . Dignified , consistently the high lady , she has nevertheless the essential womanliness to regard Phebe's scorn of Silvius with equal ...
... nature , that throughout the play her love - making is in entire keeping with her princely position . Dignified , consistently the high lady , she has nevertheless the essential womanliness to regard Phebe's scorn of Silvius with equal ...
Page xix
... natural and polished prose . But from Campaspe to Rosalind Shakespeare travelled a long road , marked in stages by the outline - sketch of Rosaline in Love's Labour's Lost , Portia in The Merchant of Venice , and Beatrice in Much Ado ...
... natural and polished prose . But from Campaspe to Rosalind Shakespeare travelled a long road , marked in stages by the outline - sketch of Rosaline in Love's Labour's Lost , Portia in The Merchant of Venice , and Beatrice in Much Ado ...
Page xxiii
... nature ) so that he laide downe his weapons and vpon the faith of a Gentleman assured his brother he would offer him no preiudice : wherevpon Saladyne came downe , and after a little parley they imbraced each other and became friends ...
... nature ) so that he laide downe his weapons and vpon the faith of a Gentleman assured his brother he would offer him no preiudice : wherevpon Saladyne came downe , and after a little parley they imbraced each other and became friends ...
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Abbott Adam Aliena Alinda Antony and Cleopatra Arden Audrey Beau brother Cambridge edd Capell conj Celia cites Collier Compare post Cotgrave Cotgrave gives Cymbeline daughter Dict doth Duke F Duke's Dyce emendation Exeunt Exit eyes Faerie Queene fair father favour Ff divide folio fool forest Fortune Frederick Gamelyn Ganymede gentle Hamlet Hanmer hast hath haue heart Henry honour humour Jaques Julius Cæsar King King Lear look Lord loue Love's Labour's Lost lover Malone marry means Merchant of Venice mistress nature Oliver omitted Ff Orlando pare passion Phebe play Pope pray prithee quoth reading Richard II Romeo and Juliet Rosader Rowe Saladyne SCENE Schmidt Shakespeare shepherd Silvius song Steevens quotes sweet thee Theobald thou art Touch Touchstone Troilus and Cressida Twelfth Night verses Vide Warburton woman word Wright quotes youth ΙΟ
Popular passages
Page 34 - Though I look old, yet I am strong and lusty: For in my youth I never did apply Hot and rebellious liquors in my blood; Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities.
Page 28 - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, This is no flattery : these are counsellors, That feelingly persuade me what I am.
Page 46 - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions : but we have reason to cool our raging motions, our carnal stings, our unbitted lusts ; whereof I take this, that you call love, to be a sect or scion.
Page 44 - Good morrow, fool,' quoth I : ' No, sir,' quoth he, ' Call me not fool till heaven hath sent me fortune. ' And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, ' It is ten o'clock : Thus may we see...
Page 51 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Page 36 - Ay, now am I in Arden ; the more fool I : when I was at home, I was in a better place : but travellers must be content.
Page 44 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Page 30 - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
Page 28 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, The seasons...
Page 50 - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.