3 She burns, she faints, delicious death! Bear me to Claren's hallow'd grove, Where oft the rosy sighing maid Sweet Sensibility! best friend! Ah me! if e'er I prove unkind, SONNET. FROM THE PORTUGUESE OF CAMOENS. [The earliest and happiest years of the life of Camoens were passed at Coimbra. The walls of that town were bathed by the river Mondego, to which this beautiful Sonnet is ad'dressed.-Translator.] MONDEGO! thou, whose waters cold and clear Gird those green banks, where fancy fain would stay, Fondly to muse on that departed day When hope was kind, and Friendship seem'd sincere ; -Ere I had purchas'd knowledge with a tear; -Mondego! though I bend my pilgrim way CANZONET. FROM THE SAME. [Our poet has managed this trite and common sentiment in his happiest manner. Nothing is more frequent in Provencal po etry than gay and romantick descriptions of spring," wherein eche thynge reneweth, saue onelie the Louer."—Trans.] · FLOWERS are fresh, and bushes green, Time, however, soon shall throw O'er the buxom breast of Spring. Hope, that buds in Lover's heart, Time and scorn congeal the mind; Freeze affection's warmest tears! Time shall make the bushes green, Blighted love shall never blow ! ADVICE TO A FRIEND. GAZE not, my friend, on Celia's eye, SONNET WRITTEN AT MIDNIGHT. EPITAPH ON A YOUNG LADY. BY THE UNFORTUNATE RICHARD SAVAGE. CLOS'D are those eyes that beam'd seraphick fire; Cold is that breast which gave the world desire : M...VOL. 1. Mute is the voice where winning softness warm'd, Where musick melted, and where wisdom charm'd; And lively wit, which, decently confin'd, Could honour, shown in friendships most refin'd, And sense that shields th' attempted virtuous mind; The social temper never known to strife, Nor can she die-e'en now survives her name, THE REPLY CHURLISH. "SAY, pensive stranger, wherefore discontent Spreads her black pinions o'er thy clouded soul? Why on the ground are all thy glances bent ? Why does stern grief thy mournful breast control? Say, dost thou groan beneath oppression's hand? Hast thou of poverty's sad potion drank ? Or hast thou fled, for crimes, thy native land?" "O no! but, d-n it, sir, I've drawn a blank !" THE WISH. I WISH not for riches, I wish not for fame; The first is mere pelf, and the second a name : In ambition's fierce stream I wish not to be carried What wish you for then ?-Why, I wish to be married. THE DRAMA, See the players well bestowed-let them be well used; for they are the abstract, and brief chronicles, of the time." Shakespeare. BOSTON THEATRE. TO MARRY OR NOT TO MARRY, ON Monday, Dec. 2, this piece first appeared. Though "an excellent play, well digested in the scenes," it "pleased not the million," and was laid aside after the fourth representation. : The title precisely expresses the tendency of the piece the struggle of a man, with himself, concerning marriage. There is an elegant simplicity in the general plan and conduct of it, which, could it have been entirely preserved, would have given it a very high value; but some of the frivolous circumstancs attending Willowwear, Lady Susan, and other parts, are to the spectator, and must be to the reader, so many insipidities that divert the mind from the story, without the power of affording any adequate amusement; but, as they are not often intruded, Mrs. Inchbald no doubt had a latent consciousness of their true nature. There are many vapid follies which have not sufficient force to excite attention when noticed either in life or exhibited on the stage, and on |