Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 324
... voice an unforeseen efficacy , so the collusion between language and male fantasy frames Her- mione yet does not utterly deprive her voice of power . The Winter's Tale may mark her words as insufficient to tell the truth or command ...
... voice an unforeseen efficacy , so the collusion between language and male fantasy frames Her- mione yet does not utterly deprive her voice of power . The Winter's Tale may mark her words as insufficient to tell the truth or command ...
Page 330
... voice to rein in the action of a now- benign theater in which language appears to perform the act it intends : " Music ! awake her ! . . . descend ; be stone no more " ( 5.3.98-99 ) . Paulina's imperative to the statue , we should note ...
... voice to rein in the action of a now- benign theater in which language appears to perform the act it intends : " Music ! awake her ! . . . descend ; be stone no more " ( 5.3.98-99 ) . Paulina's imperative to the statue , we should note ...
Page 373
... voices of the living . ( 1 ) to Though he assumes both that he is hearing only his own voice and that his voice has been fashioned by the voices of History , he does not forsake listening to simulated voices , " for simulations are ...
... voices of the living . ( 1 ) to Though he assumes both that he is hearing only his own voice and that his voice has been fashioned by the voices of History , he does not forsake listening to simulated voices , " for simulations are ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York