Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 76
... understanding them . Building on the work of critics who have inquired into the troubled codes of gender in As You Like It , this es- say will address the play's acknowledgement of the textu- ality of physical presence through its ...
... understanding them . Building on the work of critics who have inquired into the troubled codes of gender in As You Like It , this es- say will address the play's acknowledgement of the textu- ality of physical presence through its ...
Page 113
... understanding of Renaissance politics is still being formed and cannot be predicated upon the politics of our own time . I referred at the beginning of this article to David Womersley's work on political readings of sixteenth- and ...
... understanding of Renaissance politics is still being formed and cannot be predicated upon the politics of our own time . I referred at the beginning of this article to David Womersley's work on political readings of sixteenth- and ...
Page 292
... understanding and thus transforming our compre- hension of the world we thought we knew . Shakespeare has arranged the verse so that it illuminates and comments on two central themes of The Winter's Tale , the complexities of perception ...
... understanding and thus transforming our compre- hension of the world we thought we knew . Shakespeare has arranged the verse so that it illuminates and comments on two central themes of The Winter's Tale , the complexities of perception ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York