Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 26
... tion , Rosalind leads the play into a mode of desire neither heterosexual nor homoerotic , but both hetero- sexual and homoerotic . As much as she displays her desire for Orlando , she also enjoys her position as male object of Phebe's ...
... tion , Rosalind leads the play into a mode of desire neither heterosexual nor homoerotic , but both hetero- sexual and homoerotic . As much as she displays her desire for Orlando , she also enjoys her position as male object of Phebe's ...
Page 97
... tion of identity , he finds him only by a process of elimina- tion that is easily mistaken for a process of multiplication : Douglas . Another king ? they grow like Hydra's heads . I am the Douglas , fatal to all those That wear those ...
... tion of identity , he finds him only by a process of elimina- tion that is easily mistaken for a process of multiplication : Douglas . Another king ? they grow like Hydra's heads . I am the Douglas , fatal to all those That wear those ...
Page 307
... tion was a gendered concept in early modern England . ( 104 ) The development of defamation law in sixteenth - century England indicates how the courts reflected and reinforced gender distinctions in rectifying damage to reputation . At ...
... tion was a gendered concept in early modern England . ( 104 ) The development of defamation law in sixteenth - century England indicates how the courts reflected and reinforced gender distinctions in rectifying damage to reputation . At ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York