Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
From inside the book
Results 1-3 of 86
Page 60
... speak in verse throughout . When they leave , Ganymede has two lines of verse and then Touch- stone reverts to prose . Why this strange pattern of verse and prose ? It is absurd to suppose that agricultural work- ers in Elizabethan ...
... speak in verse throughout . When they leave , Ganymede has two lines of verse and then Touch- stone reverts to prose . Why this strange pattern of verse and prose ? It is absurd to suppose that agricultural work- ers in Elizabethan ...
Page 143
... speak effectively in the new world created by the usurpation requires the exploitation of all the figurative resources of language , of irony , of understatement , of wary hyperbole and deft paronomasia . The days are gone when simple ...
... speak effectively in the new world created by the usurpation requires the exploitation of all the figurative resources of language , of irony , of understatement , of wary hyperbole and deft paronomasia . The days are gone when simple ...
Page 324
... speak- helps us to understand Hermione's courtroom protest that she stands somehow outside the restrictive terms of Leon- tes's accusation : " Sir , / You speak a language that I understand not " ( 3.2.79-80 ) . To the woman who will ...
... speak- helps us to understand Hermione's courtroom protest that she stands somehow outside the restrictive terms of Leon- tes's accusation : " Sir , / You speak a language that I understand not " ( 3.2.79-80 ) . To the woman who will ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York