Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 156
... sense . Simultaneously he antiembodies the Protestant ethic . What he is , it is not . What it is , he is not . Did Shakespeare's comic sense serve the body politic by generating Falstaff in an attempt to immunize comparatively Merrie ...
... sense . Simultaneously he antiembodies the Protestant ethic . What he is , it is not . What it is , he is not . Did Shakespeare's comic sense serve the body politic by generating Falstaff in an attempt to immunize comparatively Merrie ...
Page 196
... sense that all Shakespearean plays are mysteries . Beyond the mystery of its character reversals and of imposing ele ... sense . We are also given suf- ficient information to decide upon its intelligibility in the higher sense of ...
... sense that all Shakespearean plays are mysteries . Beyond the mystery of its character reversals and of imposing ele ... sense . We are also given suf- ficient information to decide upon its intelligibility in the higher sense of ...
Page 324
... sense of herself . Hermione's ensuing remark about the deadly effects of fantasy- " My life stands in the level of your dreams , Which I'll lay down " -then provokes Leontes's most concise statement of his Pygmalionlike revision of ...
... sense of herself . Hermione's ensuing remark about the deadly effects of fantasy- " My life stands in the level of your dreams , Which I'll lay down " -then provokes Leontes's most concise statement of his Pygmalionlike revision of ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York