Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 246
... male , that are initially located cosmically in the witches thus find their ultimate locus in the figure of Lady Mac- beth , whose attack on Macbeth's virility is the source of her strength over him and who acquires that strength , I ...
... male , that are initially located cosmically in the witches thus find their ultimate locus in the figure of Lady Mac- beth , whose attack on Macbeth's virility is the source of her strength over him and who acquires that strength , I ...
Page 249
... male self - generation ; but in at- tributing his power to his having been untimely ripped from that mother , it sustains the sense that violent separa- tion from the mother is the mark of the successful male . The final battle between ...
... male self - generation ; but in at- tributing his power to his having been untimely ripped from that mother , it sustains the sense that violent separa- tion from the mother is the mark of the successful male . The final battle between ...
Page 257
... male - dominated world . There are several such characters , of course , and their existence always appears to suggest this same message . It is possible that Shakespeare was personally fascinated with the image of a male - female ...
... male - dominated world . There are several such characters , of course , and their existence always appears to suggest this same message . It is possible that Shakespeare was personally fascinated with the image of a male - female ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York