Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 312
... female criminality to a creative reworking of Anne's and Elizabeth's sexual and reproductive careers . As queens , these women experienced lives quite different from those of other women in the early modern period . Yet queens were also ...
... female criminality to a creative reworking of Anne's and Elizabeth's sexual and reproductive careers . As queens , these women experienced lives quite different from those of other women in the early modern period . Yet queens were also ...
Page 331
... female sexuality but " the female mind " ( " menti / fem- ineae " [ X.244-45 ] ) . So one final allusion to the Metamor- phoses tells us something about that mind . Hermione's al- lusion prompts a question that seems never to occur to ...
... female sexuality but " the female mind " ( " menti / fem- ineae " [ X.244-45 ] ) . So one final allusion to the Metamor- phoses tells us something about that mind . Hermione's al- lusion prompts a question that seems never to occur to ...
Page 359
... female tradition of narratives . In his self- defense , " Why should I carry lies abroad ? " he describes himself by an expanded version of the name he had improvised as the supposed author , a Mistress Taleporter ( or " carrier of ...
... female tradition of narratives . In his self- defense , " Why should I carry lies abroad ? " he describes himself by an expanded version of the name he had improvised as the supposed author , a Mistress Taleporter ( or " carrier of ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York