Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 138
... fact , in the minds of men . The initiative may well come from a child , who has as yet to master the language of the social order to the point where it is part of his unconscious stock - in- trade . In fact , as we shall see , it is ...
... fact , in the minds of men . The initiative may well come from a child , who has as yet to master the language of the social order to the point where it is part of his unconscious stock - in- trade . In fact , as we shall see , it is ...
Page 160
... fact of repetition makes it increas- ingly difficult to imagine in what successful reform would consist . In fact , 2 Henry IV confronts us with just those issues . As already noted by the Arden editor , the play proceeds as if the ...
... fact of repetition makes it increas- ingly difficult to imagine in what successful reform would consist . In fact , 2 Henry IV confronts us with just those issues . As already noted by the Arden editor , the play proceeds as if the ...
Page 196
... fact , there is a strong element of this belief in Macbeth and Lady Macbeth as well : Macbeth fears what will happen to him in the life to come , and knows he has lost his " eternal jewel " ; Lady Macbeth , sleepwalking , thinks she is ...
... fact , there is a strong element of this belief in Macbeth and Lady Macbeth as well : Macbeth fears what will happen to him in the life to come , and knows he has lost his " eternal jewel " ; Lady Macbeth , sleepwalking , thinks she is ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York