Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 41
... disguise their true feelings and nature , a fact which clarifies many of the play's nuances . ] The physical disguise of Rosalind as the male " Ganymede " is one of the most discussed features of Shakespeare's As You Like It . ' Most ...
... disguise their true feelings and nature , a fact which clarifies many of the play's nuances . ] The physical disguise of Rosalind as the male " Ganymede " is one of the most discussed features of Shakespeare's As You Like It . ' Most ...
Page 42
... disguise . While disguising his true feelings about Orlando , Oliver says that he has tried " by underhand means " ( I.i.135 ) to discourage his brother from wrestling Charles . He lies about Orlando's character , disguising the youth's ...
... disguise . While disguising his true feelings about Orlando , Oliver says that he has tried " by underhand means " ( I.i.135 ) to discourage his brother from wrestling Charles . He lies about Orlando's character , disguising the youth's ...
Page 44
... disguise as " Ganymede . " Orlando undergoes several stages of disguise in his transformations , from being an aristocrat disguised as a menial , to being disguised at court as a wrestler , to being a lover " disguised " as a neatly ...
... disguise as " Ganymede . " Orlando undergoes several stages of disguise in his transformations , from being an aristocrat disguised as a menial , to being disguised at court as a wrestler , to being a lover " disguised " as a neatly ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York