Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 88
... Henry IV , Parts 1 and 2 1. For further information on the critical and stage history of Henry IV , Parts 1 and 2 , see SC , Volumes 1 , 14 , 39 , and 49 . INTRODUCTION Henry IV , Parts 1 and 2 , the second and third plays in ...
... Henry IV , Parts 1 and 2 1. For further information on the critical and stage history of Henry IV , Parts 1 and 2 , see SC , Volumes 1 , 14 , 39 , and 49 . INTRODUCTION Henry IV , Parts 1 and 2 , the second and third plays in ...
Page 160
... Henry IV " in Renaissance Drama , Vol . 21 , 1990 , pp . 225-42 . [ In the following essay , Crewe disputes critical thinking that denies substantive reformation in Prince Hal's ... HENRY IV , PARTS 1 AND 2 SHAKESPEAREAN CRITICISM , Vol . 57.
... Henry IV " in Renaissance Drama , Vol . 21 , 1990 , pp . 225-42 . [ In the following essay , Crewe disputes critical thinking that denies substantive reformation in Prince Hal's ... HENRY IV , PARTS 1 AND 2 SHAKESPEAREAN CRITICISM , Vol . 57.
Page 165
... Henry's usurpation of Richard II , is of course no more absolute or final than the theatrical metamorphosis enacted in 1 Henry IV . It is undone again in Henry V , while the brutal exclusionary reduction of the woman is " liberal- ized ...
... Henry's usurpation of Richard II , is of course no more absolute or final than the theatrical metamorphosis enacted in 1 Henry IV . It is undone again in Henry V , while the brutal exclusionary reduction of the woman is " liberal- ized ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York