Tayeb Salih: Ideology and the Craft of FictionSyracuse University Press, 2003 M10 1 - 224 pages This book undertakes the first sustained interpretation of all of Tayeb Salih's novels and short stories that constitute a single narrative cycle. The book focuses primarily on the ways in which his work depicts the clashing of Arab ideologies—that is, questions of tradition, modernity, imperialism, gender, and political authority in the Arab world. The analysis of Salih's work elucidates his inventive form, while at the same time delineating both the development and the special character of Salih's art. |
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Page ix
... come upon us stealth- ily while the books are arranged on the shelves , the paintings hang on the walls , and each statue is in its place ... We welcome those visitors cheerfully and re- joice in them , but discover , after they leave ...
... come upon us stealth- ily while the books are arranged on the shelves , the paintings hang on the walls , and each statue is in its place ... We welcome those visitors cheerfully and re- joice in them , but discover , after they leave ...
Page xvii
... Comes " ( Arabic original ; see " Idha ja'at " ) LAUB Lecture at the American University in Beirut " LE " " A Letter to Eileen " ( English translation ) M " p " RTS Maryud ( Arabic original ) " Preliminaries " ( Arabic original ; see ...
... Comes " ( Arabic original ; see " Idha ja'at " ) LAUB Lecture at the American University in Beirut " LE " " A Letter to Eileen " ( English translation ) M " p " RTS Maryud ( Arabic original ) " Preliminaries " ( Arabic original ; see ...
Page 8
... come to know " itself through the other's voice . In other words , the novel is , more than any other genre , the ideal ground for staging the encounter with the Other . The intimate connection between form and ideology in Bakhtin's ...
... come to know " itself through the other's voice . In other words , the novel is , more than any other genre , the ideal ground for staging the encounter with the Other . The intimate connection between form and ideology in Bakhtin's ...
Page 11
... come to know " itself through the other's voice . In other words , the novel is , more than any other genre , the ideal ground for staging the encounter with the Other . The intimate connection between form and ideology in Bakhtin's ...
... come to know " itself through the other's voice . In other words , the novel is , more than any other genre , the ideal ground for staging the encounter with the Other . The intimate connection between form and ideology in Bakhtin's ...
Page 14
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Contents
The Early Short Stories | 12 |
The Wedding of Zein | 48 |
Season of Migration to the North | 78 |
Bandarshah | 125 |
The Latest Writings | 169 |
Chronology of the Wad Hamid Cycle | 179 |
References | 183 |
Index | 191 |
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Common terms and phrases
Abdul Hafeez Abu Nuwas African al-Khidr Al-Tayyib Salih Arab world Arabic novel Asha l-Baytat Bakhtin's Bandar Bandarshah becomes Beirut Bilal Cairo characters civilization colonial discourse cultural Cypriot Date Palm Dau al-Beit Doum Tree dream DTWH Egypt English Europe European father gender grandfather Hajj Ahmad Handful of Dates Haneen identity ideology illusion imam Islamic Jean Mahjoub Mahjoub's gang Maryam Meheimeed Meheimeed's Meryoud modern mosque Muhammad Mustafa Sa'eed mystical Nahda narrative narrator Nasr Abu Zayd Ni'ma novella Othello parody patriarchal political postcolonial prayer protagonist Qur'an Rabab religious represents role Salih's fiction scene Season of Migration secular Seif ad-Din sense sexual Shah Shaykh short stories social society spiritual Sudan Sudanese Sufi symbolic Tahtawi Tayeb Salih things tion traditional translation Tree of Wad Umm Bab village Wad Hamid Cycle Wad Rayyes wahm Wedding of Zein Western woman women worldview writing WZOS Zein's
References to this book
Other South: Faulkner, Coloniality, and the Mariátegui Tradition Hosam M. Aboul-Ela No preview available - 2007 |