Change of Mind in Greek Tragedy |
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Page 48
... to more solid yet still simple temple - like structures , to ornate interiors . Finally
, there are non - Euclidean builders enough to extend the metaphor to the inside -
out logic by which tragedy sometimes functions : murder becomes recognition ...
... to more solid yet still simple temple - like structures , to ornate interiors . Finally
, there are non - Euclidean builders enough to extend the metaphor to the inside -
out logic by which tragedy sometimes functions : murder becomes recognition ...
Page 79
45 By a slight extension , Orestes becomes easy to push around ; for example ,
his “ firm " resolution to commit suicide is diverted by Pylades in Orestes ( 1069 -
1100 ) . Compare the ease with which the Tutor prevents a premature recognition
...
45 By a slight extension , Orestes becomes easy to push around ; for example ,
his “ firm " resolution to commit suicide is diverted by Pylades in Orestes ( 1069 -
1100 ) . Compare the ease with which the Tutor prevents a premature recognition
...
Page 81
54 There is nothing to match this clarity in the third change . First , it is a series of
imperatives . Second - and this is just the point on which Aristophanes seized -
Medea has become divided : “ she ” addresses a faculty or part ( Ovuóc ) of ...
54 There is nothing to match this clarity in the third change . First , it is a series of
imperatives . Second - and this is just the point on which Aristophanes seized -
Medea has become divided : “ she ” addresses a faculty or part ( Ovuóc ) of ...
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accept Achilles action actually Adrastus Aeschylus Agamemnon Ajax already Apollo appear argument asks attempt audience avoid becomes begins believe calls change of mind chapter character chorus clear Compare consider course Creon Creusa criticism death deception decision described discussion earlier effect Electra especially Euripides example express face fact father feel finally follows force further gives Greek Greek tragedy Heracles hero heroic Hippolytus human important intentions interest interpretation intrigue Ion's Iphigenia issue kind Knox later leave lines marriage meaning Medea Menelaus mentioned metaphor moral motivation move nature Neoptolemus occur Odysseus Oedipus opening Orestes passage perhaps Philoctetes play plot position possible present question reason reference reflection remains represent require response reversal rhetorical says scene secret seems sense situation Sophocles speak speech stage suggest suicide Theseus Tiresias traditional tragedy turn wants wish