Change of Mind in Greek Tragedy |
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Page 17
Let us approach the passage differently by following the lead of Marjorie Garber ,
who writes about similarly extreme statements of resistance to change in three
plays of Shakespeare , “ these passages , that " so general is the natural ...
Let us approach the passage differently by following the lead of Marjorie Garber ,
who writes about similarly extreme statements of resistance to change in three
plays of Shakespeare , “ these passages , that " so general is the natural ...
Page 20
Let us pursue the analogy with Shakespeare just a little further . As Garber points
out , the English word " self , " used attributively , also once meant “ same . " In
fact , for Shakespeare the paradox of " the self " which does not remain " the
same ...
Let us pursue the analogy with Shakespeare just a little further . As Garber points
out , the English word " self , " used attributively , also once meant “ same . " In
fact , for Shakespeare the paradox of " the self " which does not remain " the
same ...
Page 47
In my terms , tragedy typically preserves both concentration and focus , while
comedy is equally concentrated but frequently disrupts personal focus . I note
with interest that Silk , following a Shakespearean scholar named Newman ,
takes the ...
In my terms , tragedy typically preserves both concentration and focus , while
comedy is equally concentrated but frequently disrupts personal focus . I note
with interest that Silk , following a Shakespearean scholar named Newman ,
takes the ...
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accept Achilles action actually Adrastus Aeschylus Agamemnon Ajax already Apollo appear argument asks attempt audience avoid becomes begins believe calls change of mind chapter character chorus clear Compare consider course Creon Creusa criticism death deception decision described discussion earlier effect Electra especially Euripides example express face fact father feel finally follows force further gives Greek Greek tragedy Heracles hero heroic Hippolytus human important intentions interest interpretation intrigue Ion's Iphigenia issue kind Knox later leave lines marriage meaning Medea Menelaus mentioned metaphor moral motivation move nature Neoptolemus occur Odysseus Oedipus opening Orestes passage perhaps Philoctetes play plot position possible present question reason reference reflection remains represent require response reversal rhetorical says scene secret seems sense situation Sophocles speak speech stage suggest suicide Theseus Tiresias traditional tragedy turn wants wish