William Shakespeare, King LearSusan Bruce Columbia University Press, 1998 - 192 pages This Critical Guide helps students sift through and make sense of nearly three centuries of Lear criticism, providing insight into different assessments of the play's merit and its place within Shakespeare's work and the canon of English literature. Highlights include excerpts from the neoclassical and Romantic receptions of King Lear -- material from John Dryden, Samuel Johnson, Samuel Taylor Coleridge, and Victor Hugo -- and a discussion of recent and current trends in criticism of the play. |
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Page 3
... nature of the text itself , and its authority in early modern versions . CHAPTER ONE Neo - Classicism 15 The period covered by this chapter was dominated by Neo - Classicist theory , and by Nahum Tate's adaptation of King Lear . Part ...
... nature of the text itself , and its authority in early modern versions . CHAPTER ONE Neo - Classicism 15 The period covered by this chapter was dominated by Neo - Classicist theory , and by Nahum Tate's adaptation of King Lear . Part ...
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... Nature that he ... [ never ] will be equall'd in it by any succeeding Poet .... I must conclude with some short Remarks on the . . . Artful Preservation of Lear's Character . Had Shakespeare read all that Aristotle , Horace and the ...
... Nature that he ... [ never ] will be equall'd in it by any succeeding Poet .... I must conclude with some short Remarks on the . . . Artful Preservation of Lear's Character . Had Shakespeare read all that Aristotle , Horace and the ...
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... nature of the occasion demon- strates to everyone present that Shakespeare's text is a contemporary communal construct . Gary Taylor , Reinventing Shakespeare We have here then , three very different assessments of King Lear , and ...
... nature of the occasion demon- strates to everyone present that Shakespeare's text is a contemporary communal construct . Gary Taylor , Reinventing Shakespeare We have here then , three very different assessments of King Lear , and ...
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... nature almost overnight : the main tradition of criticism up to the 1950s had interpreted the play as concerned with Lear's pilgrimage to redemption , . . . but in the 1960s the play became Shakespeare's bleakest and most despairing ...
... nature almost overnight : the main tradition of criticism up to the 1950s had interpreted the play as concerned with Lear's pilgrimage to redemption , . . . but in the 1960s the play became Shakespeare's bleakest and most despairing ...
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Contents
NeoClassicism | 15 |
Romanticism | 48 |
Realism | 83 |
From Christianity to Chaos | 116 |
Contemporary Criticism of King Lear | 149 |
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Common terms and phrases
A.C. Bradley action aesthetic argues attack audience blind Bradley Bradley's Brian Vickers century chapter character clown conception Coppélia Cordelia Cornwall daughters death Dickens Dover drama Edgar edition Edmund effect Empson essay express extract eyes father feeling feudal Foakes Fool Freud Garrick Gervinus Gloster Gloucester Gloucester's gods Goneril Guizot Hamlet heart historical Hugo human illusion Kent kind King Lear Kott L. C. Knights literary London mind moral motives nature Neo-Classical Orwell Oswald passion person play's poet poetic justice question reading of King reason renunciation representation represented reprinted role Romantic scene Schlegel seems sense Shakespeare Shakespeare Our Contemporary Shakespeare's plays Shakespearean tragedy social soul speak spectator speech stage suffering Swinburne Tate Tate's adaptation Tate's Lear theme theory thing thou tion Tolstoy Tolstoy's tragic unity universal Vickers Wheel of Fire whole William Shakespeare Wilson Knight women words writing