William Shakespeare, King LearSusan Bruce Columbia University Press, 1998 - 192 pages This Critical Guide helps students sift through and make sense of nearly three centuries of Lear criticism, providing insight into different assessments of the play's merit and its place within Shakespeare's work and the canon of English literature. Highlights include excerpts from the neoclassical and Romantic receptions of King Lear -- material from John Dryden, Samuel Johnson, Samuel Taylor Coleridge, and Victor Hugo -- and a discussion of recent and current trends in criticism of the play. |
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... madness : writers excerpted here include William Richardson . Part Four ( p . 42 ) dis- cusses productions of ( Tate's ) Lear , and includes several accounts of David Garrick's representation of the role of Lear . CHAPTER TWO ...
... madness : writers excerpted here include William Richardson . Part Four ( p . 42 ) dis- cusses productions of ( Tate's ) Lear , and includes several accounts of David Garrick's representation of the role of Lear . CHAPTER TWO ...
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... Madness ... Shakespeare has wrought with such Spirit and so true a Knowledge of Nature that he ... [ never ] will be equall'd in it by any succeeding Poet .... I must conclude with some short Remarks on the . . . Artful Preservation of ...
... Madness ... Shakespeare has wrought with such Spirit and so true a Knowledge of Nature that he ... [ never ] will be equall'd in it by any succeeding Poet .... I must conclude with some short Remarks on the . . . Artful Preservation of ...
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Contents
NeoClassicism | 15 |
Romanticism | 48 |
Realism | 83 |
From Christianity to Chaos | 116 |
Contemporary Criticism of King Lear | 149 |
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Common terms and phrases
A.C. Bradley action aesthetic argues attack audience blind Bradley Bradley's Brian Vickers century chapter character clown conception Coppélia Cordelia Cornwall daughters death Dickens Dover drama Edgar edition Edmund effect Empson essay express extract eyes father feeling feudal Foakes Fool Freud Garrick Gervinus Gloster Gloucester Gloucester's gods Goneril Guizot Hamlet heart historical Hugo human illusion Kent kind King Lear Kott L. C. Knights literary London mind moral motives nature Neo-Classical Orwell Oswald passion person play's poet poetic justice question reading of King reason renunciation representation represented reprinted role Romantic scene Schlegel seems sense Shakespeare Shakespeare Our Contemporary Shakespeare's plays Shakespearean tragedy social soul speak spectator speech stage suffering Swinburne Tate Tate's adaptation Tate's Lear theme theory thing thou tion Tolstoy Tolstoy's tragic unity universal Vickers Wheel of Fire whole William Shakespeare Wilson Knight women words writing