The Complete Works of William Hazlitt, Volume 4J. M. Dent and Sons, Limited, 1930 - 408 pages |
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Page 73
... pleasure derived from imitation has never been properly insisted on . The anatomist is delighted with a coloured plate , conveying the exact appearance of the progress of certain diseases , or of the internal parts and dissections of ...
... pleasure derived from imitation has never been properly insisted on . The anatomist is delighted with a coloured plate , conveying the exact appearance of the progress of certain diseases , or of the internal parts and dissections of ...
Page 249
... pleasure , which had just gushed from her heart , from flowing on without stint or measure , but experience which she was yet without ? What was to abate the transport of the first sweet sense of pleasure , which her heart and her ...
... pleasure , which had just gushed from her heart , from flowing on without stint or measure , but experience which she was yet without ? What was to abate the transport of the first sweet sense of pleasure , which her heart and her ...
Page 376
... pleasure in art , ' etc. There is a pleasure in poetic pains , Which only poets know . ' Cowper , The Task , 11. 285–286 . • Cf. Table Talk ( ' On the Pleasure of Painting ' ) : There is a pleasure in painting which none but painters ...
... pleasure in art , ' etc. There is a pleasure in poetic pains , Which only poets know . ' Cowper , The Task , 11. 285–286 . • Cf. Table Talk ( ' On the Pleasure of Painting ' ) : There is a pleasure in painting which none but painters ...
Common terms and phrases
actor admiration affections Antony Apemantus appear beauty Beggar's Opera breath Cæsar Caliban character circumstances Claudio comedy comic contempt Coriolanus critic CYMBELINE death delight Desdemona dost doth dream English excited eyes Falstaff fancy favour fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet Julius Cæsar king lady Lear live look lord Lycidas Macbeth Malvolio manner Midsummer Night's Dream mind moral nature never night noble objects opinion Othello Paradise Lost passages passion Perdita person picture play pleasure poet poetry Prince refined Regan Richard Richard II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew sleep soul speak spirit stage story sweet taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth words youth