The Complete Works of William Hazlitt, Volume 4J. M. Dent and Sons, Limited, 1930 - 408 pages |
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Page 209
... lord ? Othello . Honest ? Ay , honest . Iago . My lord , for aught I know . Othello . What do'st thou think ? Iago . Think , my lord ! Othello . Think , my lord ! Alas , thou echo'st me , As if there was some monster in thy thought Too ...
... lord ? Othello . Honest ? Ay , honest . Iago . My lord , for aught I know . Othello . What do'st thou think ? Iago . Think , my lord ! Othello . Think , my lord ! Alas , thou echo'st me , As if there was some monster in thy thought Too ...
Page 231
... lord . Antony . That which is now a horse , even with a thought The rack dislimns , and makes it indistinct As water is in water . Eros . It does , my lord . Antony . My good knave , Eros , now thy captain is Even such a body , ' etc ...
... lord . Antony . That which is now a horse , even with a thought The rack dislimns , and makes it indistinct As water is in water . Eros . It does , my lord . Antony . My good knave , Eros , now thy captain is Even such a body , ' etc ...
Page 267
... lord , receive attendance From those that she calls servants , or from mine ? Regan . Why not , my lord ? If then they chanc'd to slack you , We would controul them : if you will come to me ( For now I spy a danger ) I entreat you To ...
... lord , receive attendance From those that she calls servants , or from mine ? Regan . Why not , my lord ? If then they chanc'd to slack you , We would controul them : if you will come to me ( For now I spy a danger ) I entreat you To ...
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actor admiration affections Antony Apemantus appear beauty Beggar's Opera breath Cæsar Caliban character circumstances Claudio comedy comic contempt Coriolanus critic CYMBELINE death delight Desdemona dost doth dream English excited eyes Falstaff fancy favour fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet Julius Cæsar king lady Lear live look lord Lycidas Macbeth Malvolio manner Midsummer Night's Dream mind moral nature never night noble objects opinion Othello Paradise Lost passages passion Perdita person picture play pleasure poet poetry Prince refined Regan Richard Richard II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew sleep soul speak spirit stage story sweet taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth words youth