The Complete Works of William Hazlitt, Volume 4J. M. Dent and Sons, Limited, 1930 - 408 pages |
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Page 42
... force of our internal impressions ; it emanates most directly from our immediate or habitual feelings ; it is that which stamps its life and character on any action ; the rest may be performed by an automaton . What is it that makes the ...
... force of our internal impressions ; it emanates most directly from our immediate or habitual feelings ; it is that which stamps its life and character on any action ; the rest may be performed by an automaton . What is it that makes the ...
Page 70
... force of sentiment - an eye that , in its liquid mazes , for ever expanding and for ever retiring within itself , draws the soul after it , and tempts the rash beholder to his fate . This is , perhaps , what Werter meant , when he says ...
... force of sentiment - an eye that , in its liquid mazes , for ever expanding and for ever retiring within itself , draws the soul after it , and tempts the rash beholder to his fate . This is , perhaps , what Werter meant , when he says ...
Page 258
... force of passion , this tug and war of the elements of our being , this firm faith in filial piety , and the giddy anarchy and whirl- ing tumult of the thoughts at finding this prop failing it , the contrast between the fixed ...
... force of passion , this tug and war of the elements of our being , this firm faith in filial piety , and the giddy anarchy and whirl- ing tumult of the thoughts at finding this prop failing it , the contrast between the fixed ...
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actor admiration affections Antony Apemantus appear beauty Beggar's Opera breath Cæsar Caliban character circumstances Claudio comedy comic contempt Coriolanus critic CYMBELINE death delight Desdemona dost doth dream English excited eyes Falstaff fancy favour fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet Julius Cæsar king lady Lear live look lord Lycidas Macbeth Malvolio manner Midsummer Night's Dream mind moral nature never night noble objects opinion Othello Paradise Lost passages passion Perdita person picture play pleasure poet poetry Prince refined Regan Richard Richard II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew sleep soul speak spirit stage story sweet taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth words youth