The Complete Works of William Hazlitt, Volume 4J. M. Dent and Sons, Limited, 1930 - 408 pages |
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Page 15
... character of Iago , in fact , belongs to a class of characters common to Shakspeare , and at the same time peculiar to him - namely , that of great intellectual activity , accom- panied with a total want of moral principle , and ...
... character of Iago , in fact , belongs to a class of characters common to Shakspeare , and at the same time peculiar to him - namely , that of great intellectual activity , accom- panied with a total want of moral principle , and ...
Page 298
... character in which Garrick came out it was the second character in which Mr. Kean appeared , and in which he acquired his fame . Shakespear we have always with us : actors we have only for a few seasons ; and therefore some account of ...
... character in which Garrick came out it was the second character in which Mr. Kean appeared , and in which he acquired his fame . Shakespear we have always with us : actors we have only for a few seasons ; and therefore some account of ...
Page 300
... character of Richard , that mixture of intellectual vigour with moral depravity , in which Shake- spear delighted to shew his strength - gave full ... character of the mild , well - meaning monarch . 300 CHARACTERS OF SHAKESPEAR'S PLAYS.
... character of Richard , that mixture of intellectual vigour with moral depravity , in which Shake- spear delighted to shew his strength - gave full ... character of the mild , well - meaning monarch . 300 CHARACTERS OF SHAKESPEAR'S PLAYS.
Common terms and phrases
actor admiration affections Antony Apemantus appear beauty Beggar's Opera breath Cæsar Caliban character circumstances Claudio comedy comic contempt Coriolanus critic CYMBELINE death delight Desdemona dost doth dream English excited eyes Falstaff fancy favour fear feeling fool friends genius give Gonerill grace Hamlet hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet Julius Cæsar king lady Lear live look lord Lycidas Macbeth Malvolio manner Midsummer Night's Dream mind moral nature never night noble objects opinion Othello Paradise Lost passages passion Perdita person picture play pleasure poet poetry Prince refined Regan Richard Richard II Romeo ROMEO AND JULIET scene seems sense sentiment Shakespear shew sleep soul speak spirit stage story sweet taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth words youth