Oral Interpretation, Volume 10

action Alfred Prufrock analysis appeal attention attitude audience aware baby body breath called chapter character CHICHIKOV climax CLOV Copyright Dick Gibson Donald Barthelme drama Dylan Thomas effect emotional empathy experience eyes face factors feel FRÄULEIN EMMA free verse give GUILDENSTERN hand hear heard imagery images important interpreter's intrinsic factors Jeff kinesics kinesthetic light listeners literary literature look material meaning MEGAERA mind Miss Lonelyhearts mother muscles narrative narrator never night novel OBERBAURAT Oral Interpretation pattern pause performance person physical play poem poet poetry prose reader Reprinted by permission response rhyme ROSENCRANTZ scene selection sense sentence sound speaker speaking speech phrases Stanley Kunitz stanza story stresses style suggestion T. S. Eliot technique tell tension terpreter Theatre Theodore Roethke thing thought tion TIRESIAS tone turn vocal voice walk woman words writing