The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & brothers, 1858 |
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Page 21
... understanding , warming and purifying the heart , and placing in the centre of the whole being the germs of noble and manlike actions , would have been the com- mon diet of the intellect instead . For the first condition , sim- plicity ...
... understanding , warming and purifying the heart , and placing in the centre of the whole being the germs of noble and manlike actions , would have been the com- mon diet of the intellect instead . For the first condition , sim- plicity ...
Page 25
... understanding and practical reason are rep- resented as the willing slaves of the senses and appetites , and of the passions arising out of them . Hence we may admit the appropriateness to the old comedy , as a work of defined art , of ...
... understanding and practical reason are rep- resented as the willing slaves of the senses and appetites , and of the passions arising out of them . Hence we may admit the appropriateness to the old comedy , as a work of defined art , of ...
Page 26
... understanding in appealing to the judgment for the probability of the scenes represented . The ancients themselves acknowledged the new comedy as an exact copy of real life . The grammarian , Aristophanes , somewhat affectedly exclaimed ...
... understanding in appealing to the judgment for the probability of the scenes represented . The ancients themselves acknowledged the new comedy as an exact copy of real life . The grammarian , Aristophanes , somewhat affectedly exclaimed ...
Page 27
... the drama , the chorus could not but tend to enforce the unity of place ; -not on the score of any sup- posed improbability , which the understanding or common sense might detect in a change of place ; -but because GREEK DRAMA . 27.
... the drama , the chorus could not but tend to enforce the unity of place ; -not on the score of any sup- posed improbability , which the understanding or common sense might detect in a change of place ; -but because GREEK DRAMA . 27.
Page 28
... understanding the poetry . For the choral songs are , and ever must have been , the most difficult part of the tragedy ; there occur in them the most involved verbal com- pounds , the newest expressions , the boldest images , the most ...
... understanding the poetry . For the choral songs are , and ever must have been , the most difficult part of the tragedy ; there occur in them the most involved verbal com- pounds , the newest expressions , the boldest images , the most ...
Other editions - View all
Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volume 2 Samuel Taylor Coleridge No preview available - 2015 |
The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay ... Samuel Taylor Coleridge No preview available - 2015 |
The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay ... Samuel Taylor Coleridge No preview available - 2015 |
Common terms and phrases
admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama effect especially excellent excitement express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear Lecture less Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton's whilst whole words writers
Popular passages
Page 81 - But love, first learned in a lady's eyes, Lives not alone immured in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 470 - And let me speak to the yet unknowing world How these things came about: so shall you hear Of carnal, bloody and unnatural acts; Of accidental judgments, casual slaughters; Of deaths put on by cunning and forc'd cause; And, in this upshot, purposes mistook Fall'n on the inventors' heads: all this can I Truly deliver.
Page 363 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate man, Forget the glories he hath known, And that imperial palace whence he came. Behold the child among his new-born blisses, A six years
Page 161 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Page 132 - Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made And crowns for convoy put into his purse. We would not die in that man's company That fears his fellowship to die with us.
Page 115 - How oft when men are at the point of death Have they been merry! which their keepers call A lightning before death: O, how may I Call this a lightning!
Page 139 - This is the excellent foppery of the world, that, when we are sick in fortune,— often the surfeit of our own behavior,— we make guilty of our disasters the sun, the moon, and the stars...
Page 42 - O fountain Arethuse, and thou honoured flood, Smooth-sliding Mincius, crowned with vocal reeds, That strain I heard was of a higher mood: But now my oat proceeds, And listens to the herald of the sea That came in Neptune's plea, He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain?
Page 49 - Even as the sun, with purple-colour'd face, Had ta'en his last leave of the weeping morn, Rose-cheek'd Adonis hied him to the chase: Hunting he loved, but love he laughed to scorn. Sick-thoughted Venus makes amain unto him, And like a bold-faced suitor 'gins to woo him.
Page 83 - To move wild laughter in the throat of death ? It cannot be ; it is impossible : Mirth cannot move a soul in agony. Ros. Why, that's the way to choke a gibing spirit, Whose influence is begot of that loose grace Which shallow laughing hearers give to fools : A jest's prosperity lies in the ear Of him that hears it...