The British essayists, with prefaces by A. Chalmers, Volumes 21-22 |
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Page 117
... neral shyness and reserve I considered as the re- proach of our country , as the effect of an illiberal education , by which neither a polite address , an easy confidence , or a general acquaintance with public life , is to be acquired ...
... neral shyness and reserve I considered as the re- proach of our country , as the effect of an illiberal education , by which neither a polite address , an easy confidence , or a general acquaintance with public life , is to be acquired ...
Page 249
... pieces of hu- mour and ridicule . I shall therefore confirm the ge- neral assertion of Addison , part of which hath already been examined . Comedy , satire , and burlesque , being the three NO . 133 . 249 ADVENTURER .
... pieces of hu- mour and ridicule . I shall therefore confirm the ge- neral assertion of Addison , part of which hath already been examined . Comedy , satire , and burlesque , being the three NO . 133 . 249 ADVENTURER .
Page ix
... neral style , and in the interest it creates , although the tendency may ultimately be the same . We have here no philosophy of morals , no indig- nant censure of the grosser vices , no critical dis- quisitions ; and , in general ...
... neral style , and in the interest it creates , although the tendency may ultimately be the same . We have here no philosophy of morals , no indig- nant censure of the grosser vices , no critical dis- quisitions ; and , in general ...
Page xxxvii
... neral purpose of the work , but was admitted , at the author's request , as an answer to No. 207 , in which , under borrowed characters , a minis- terial revolution is described , unfavourable to Mr. Fox . For five papers in this work ...
... neral purpose of the work , but was admitted , at the author's request , as an answer to No. 207 , in which , under borrowed characters , a minis- terial revolution is described , unfavourable to Mr. Fox . For five papers in this work ...
Page xlviii
... neral consent . To the same influence it was owing , that the barbarous custom of exposing the lunatics in Bedlam for money was prohibited . It is wonderful how long certain practices con- trary to sense and humanity are continued ...
... neral consent . To the same influence it was owing , that the barbarous custom of exposing the lunatics in Bedlam for money was prohibited . It is wonderful how long certain practices con- trary to sense and humanity are continued ...
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Common terms and phrases
acquaintance Adventurer amusement appearance bagnio beauty Caliban character Clodio considered Corsica danger daughter disappointed discovered distress dreadful elegance endeavoured entertainment equal Euripides evil excellence eyes fashion father favour fear felicity FITZ-ADAM Flavilla folly fortune Fretters gentleman give Goneril happiness heart Hilario honour hope horses humble servant imagination kind knew labour lady learned lence less letter lived look Lord Lord Chesterfield mankind manner marriage Menander ment Mercator mind moral nature neral ness never night obliged observed OVID paper passion perhaps person pity pleasure poet Posidippus pounds present produced Prospero Quintilian racter readers reason Richard Owen Cambridge ridicule ROBERT DODSLEY scarce sentiments Shelimah sometimes soon suffer taste thee Theocritus thing thou thought tion told truth VIRG virtue Westminster school wife wish wretch writer
Popular passages
Page 25 - You taught me language; and my profit on't Is, I know how to curse : The red plague rid you, For learning me your language ! Pro.
Page 7 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
Page 129 - Is man no more than this? Consider him well. Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha! here's three on's are sophisticated; thou art the thing itself; unaccommodated man is no more but such a poor, bare, forked animal as thou art.
Page 26 - Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
Page 168 - No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never!
Page 115 - If it be you that stir these daughters' hearts Against their father, fool me not so much To bear it tamely; touch me with noble anger, And let not women's weapons, water-drops, Stain my man's cheeks! No, you unnatural hags, I will have such revenges on you both That all the world shall...
Page 127 - Thou'dst meet the bear i' the mouth. When the mind's free The body's delicate; the tempest in my mind Doth from my senses take all feeling else Save what beats there. Filial ingratitude! Is it not as this mouth should tear this hand For lifting food to 't?
Page 167 - Mine enemy's dog, Though he had bit me, should have stood that night Against my fire ; and wast thou fain, poor father, To hovel thee with swine, and rogues forlorn, In short and musty straw? Alack, alack!
Page 52 - In the midst of the street of it and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month ; and the leaves of the tree were for the healing of the nations.
Page 7 - em That if you now beheld them, your affections Would become tender. Prospero. Dost thou think so, spirit? Ariel. Mine would, sir, were I human. Prospero. And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply, Passion as they, be kindlier moved than thou art?