Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 pages It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
From inside the book
Results 1-5 of 85
Page vii
... Theatrical Licence 6. Accurate Texts , Authoritative Editions 93 113 129 THE SENSES OF MEDIA 7. The Sense of the Senses : Sound , Gesture , and the Body on Stage 147 8. Narrative Form and Theatrical Illusions 166 9. Framing Space : Time ...
... Theatrical Licence 6. Accurate Texts , Authoritative Editions 93 113 129 THE SENSES OF MEDIA 7. The Sense of the Senses : Sound , Gesture , and the Body on Stage 147 8. Narrative Form and Theatrical Illusions 166 9. Framing Space : Time ...
Page 1
... theatrical revival . It is not mere coincidence that theatre and printing emerged as central forms of cultural communication during the same period , that someone like John Foxe could see " players " and " printers " ( along with ...
... theatrical revival . It is not mere coincidence that theatre and printing emerged as central forms of cultural communication during the same period , that someone like John Foxe could see " players " and " printers " ( along with ...
Page 2
... theatrical printing , their embodied lives in books and in scripts , in theatres and scenes are at the centre of ... theatrical or textual reception - to offer an archaeology of theatrical effects and a genealogy of ideas of theatrical ...
... theatrical printing , their embodied lives in books and in scripts , in theatres and scenes are at the centre of ... theatrical or textual reception - to offer an archaeology of theatrical effects and a genealogy of ideas of theatrical ...
Page 3
... theatrical text reminding us , for example , of the rich and complex lives of texts generally ) , they do so in ways that resist easy classification and do not bow to the political lessons for which they are sometimes made to stand . My ...
... theatrical text reminding us , for example , of the rich and complex lives of texts generally ) , they do so in ways that resist easy classification and do not bow to the political lessons for which they are sometimes made to stand . My ...
Page 5
... theatrical revival , performed in their own works and saw to their publication ( Encina's Cancionero in 1496 , Torres Naharro's Propalladia in 1517 ) . " Giangiorgio Trissino , author of the tragedy Sofon- isba ( 1524 ) , followed ...
... theatrical revival , performed in their own works and saw to their publication ( Encina's Cancionero in 1496 , Torres Naharro's Propalladia in 1517 ) . " Giangiorgio Trissino , author of the tragedy Sofon- isba ( 1524 ) , followed ...
Contents
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes