Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 pages It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
From inside the book
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Page iv
... Published in the United States by Oxford University Press Inc. , New York © Julie Stone Peters 2000 The moral rights of the author have been asserted Database right Oxford University Press ( maker ) First published 2000 First published ...
... Published in the United States by Oxford University Press Inc. , New York © Julie Stone Peters 2000 The moral rights of the author have been asserted Database right Oxford University Press ( maker ) First published 2000 First published ...
Page 5
... published in 1485 and often reprinted in the sixteenth century . 20 17 The humanist comedies and tragedies played on experimental stages across Europe were starting to be published in the late fifteenth century : Jakob Wimpheling's ...
... published in 1485 and often reprinted in the sixteenth century . 20 17 The humanist comedies and tragedies played on experimental stages across Europe were starting to be published in the late fifteenth century : Jakob Wimpheling's ...
Page 6
... published in the major European vernaculars , joining the proliferating number of dramatic essays and treatises on theatre architecture . " But non - humanist plays were also printed from the beginning : by the late fifteenth century ...
... published in the major European vernaculars , joining the proliferating number of dramatic essays and treatises on theatre architecture . " But non - humanist plays were also printed from the beginning : by the late fifteenth century ...
Page 7
... published between 1573 and 1583.31 Troupes regularly used printed plays on the road . An official permit allows an unnamed troupe to play in Saint - Omer , France in 1599 , representing " several come- dies and moralities of which they ...
... published between 1573 and 1583.31 Troupes regularly used printed plays on the road . An official permit allows an unnamed troupe to play in Saint - Omer , France in 1599 , representing " several come- dies and moralities of which they ...
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Contents
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes