Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 pages It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
From inside the book
Results 1-5 of 44
Page 1
... classical balconies spilling forth their fruits , filled with fashionable and richly robed onlookers , reigned over by a pot - bellied cherub waving his wand from the theatrical heavens , directing ( in the scene below ) the dancer and ...
... classical balconies spilling forth their fruits , filled with fashionable and richly robed onlookers , reigned over by a pot - bellied cherub waving his wand from the theatrical heavens , directing ( in the scene below ) the dancer and ...
Page 3
... classical , " " court " versus " school " or " public , " " amateur " versus " professional " ) , finding them inadequately descriptive and ultimately more misleading than illuminating for my arguments . Rather than directly contesting ...
... classical , " " court " versus " school " or " public , " " amateur " versus " professional " ) , finding them inadequately descriptive and ultimately more misleading than illuminating for my arguments . Rather than directly contesting ...
Page 5
... classical play Stilpho had been performed in Heidelberg around 1480 , encouraged his pupil Peter Attendorn to learn printing ( giving him several of his own works to print ) .10 Both Juan del Encina and Bartolomé de Torres Naharro ...
... classical play Stilpho had been performed in Heidelberg around 1480 , encouraged his pupil Peter Attendorn to learn printing ( giving him several of his own works to print ) .10 Both Juan del Encina and Bartolomé de Torres Naharro ...
Page 6
... classical scenic design that Inigo Jones went to Rome and Vicenza , it was equally important that he carried back to London a copy of Serlio , along with Bernardo Buontalenti's and Giulio Parigi's theatrical prints . 6 Introduction.
... classical scenic design that Inigo Jones went to Rome and Vicenza , it was equally important that he carried back to London a copy of Serlio , along with Bernardo Buontalenti's and Giulio Parigi's theatrical prints . 6 Introduction.
Page 7
... classical genres in the new plays being circulated by the press , an institution ( or , more accurately , a set of institutions ) was created . Theatres used exclusively for the production of plays sprang up . Elabo- rate perspectival ...
... classical genres in the new plays being circulated by the press , an institution ( or , more accurately , a set of institutions ) was created . Theatres used exclusively for the production of plays sprang up . Elabo- rate perspectival ...
Contents
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes