Opera, Sex and Other Vital Matters

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University of Chicago Press, 2002 M06 8 - 332 pages
Opera, Sex, and Other Vital Matters gathers both classic and never-before-published essays from one of the leading stylists in contemporary American letters, and one of our more revered public intellectuals, Paul Robinson. Diverse and elegant, the essays in this new collection showcase the sly wit and lightly worn erudition of their author. Each celebrates art and the flesh, directing us to the twin ecstasies of music and eros.

The essays on opera gathered here explore how masterpieces like Fidelio and The Magic Flute reflect the intellectual currents of their day. Be it the work of Verdi or Mozart, Wagner or Strauss, Robinson compels us to search for meaning not just in the lyrics of opera but also in the music. In melody, not libretto, we are more likely to discern key historical complexities and appreciate the way opera transcends language and time. The essays on sexuality, meanwhile, are ruminative, funny, and even moving. At one moment, Robinson measures whether homosexuality is the result of destiny or free choice. In another, he shares a touching exchange of letters with a gay student in the process of coming out. The final essays that encompass "other vital matters" find Robinson at his most incisive. Whether defending Freud as the most influential thinker of the twentieth century, attacking the dreaded use of semicolons, reflecting on his own mortality, or even meditating on the nature of cats, Sex, Opera, and Other Vital Matters is an eclectic work that will appeal to any reader interested in the continuing relevance of ideas to life.

From inside the book

Contents

Reading Libretti and Misreading Opera
30
Haydns Creation
52
Fidelio and the French Revolution
75
Richard Strauss Ambivalent Modernist
148
A Voice from the Closet
157
Four Reviews
185
An Exchange between
219
Three Essays on Freud
241
H Stuart Hughes and Intellectual History
279
Three Essays on Writing
293
MY AFTERLIFE
313
INDEX
323
Copyright

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About the author (2002)

Paul Robinson is the Richard W. Lyman Professor in the Humanities at Stanford University. He is the author of a number of books, including Opera and Ideas: From Mozart to Strauss and Gay Lives: Homosexual Autobiography from John Addington Symonds to Paul Monette, the latter published by the University of Chicago Press.

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