Revenge Tragedy and the Drama of Commemoration in Reforming EnglandRoutledge, 2016 M12 5 - 176 pages Considering major works by Kyd, Shakespeare, Middleton and Webster among others, this book transforms current understanding of early modern revenge tragedy. Examing the genre in light of historical revisions to England's Reformations, and with appropriate regard to the social history of the dead, it shows revenge tragedy is not an anti-Catholic and Reformist genre, but one rooted in, and in dialogue with, traditional Catholic culture. Arguing its tragedies are bound to the age's funerary performances, it provides a new view of the contemporary theatre and especially its role in the religious upheavals of the period. |
From inside the book
Results 1-5 of 9
Page 79
... Morebath note donation for the dead : ' bestowyd a pon the hye auter [ alter ] and a pon the syd autur for a remembrans for them to be prayed for'.15 To a culture owing oratory , literature , painting , architecture , even churches and ...
... Morebath note donation for the dead : ' bestowyd a pon the hye auter [ alter ] and a pon the syd autur for a remembrans for them to be prayed for'.15 To a culture owing oratory , literature , painting , architecture , even churches and ...
Page 95
... Morebath : 10 Illustrating that anamnêsis is stronger than our ' memory ' , Plato uses the term in his theme that knowledge is ' recollection ' , i.e. the bringing back into lived reality of the experience of the Form seen before birth ...
... Morebath : 10 Illustrating that anamnêsis is stronger than our ' memory ' , Plato uses the term in his theme that knowledge is ' recollection ' , i.e. the bringing back into lived reality of the experience of the Form seen before birth ...
Page 96
... ( Morebath , p . 118 ) . In Cressy's stark and more general phrase , ' the new theology provided both moderate and zealous protestants with a standard against which local practices [ of remembering the dead ] could be judged ' ( Cressy ...
... ( Morebath , p . 118 ) . In Cressy's stark and more general phrase , ' the new theology provided both moderate and zealous protestants with a standard against which local practices [ of remembering the dead ] could be judged ' ( Cressy ...
Page 98
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Contents
76 | |
Revenge and the Melodrama of Mourning in The Spanish Tragedy | |
Titus Andronicus and Hamlet | |
Conclusion | |
Index | |
Other editions - View all
Revenge Tragedy and the Drama of Commemoration in Reforming England Thomas Rist Limited preview - 2008 |
Common terms and phrases
Andrea anti-Catholic Antonio's Revenge Atheist's Tragedy blood Bosola Brachiano Broude Broude's Broudian burial bury Cambridge University Press Catholic Catholicism ceremony Charlemont Children of Paul's Christian church claim commemorative condemnation considered contemporary controversy corpse Cressy D'Amville D'Amville's death discussion dishonoured drama Duchess of Malfi Early Modern Elizabethan emerges emotion emphasis England English especially Ferdinand Flamineo funeral funerary genre ghost godly Goths grave grief Hamlet Hieronimo highlighting historical honour Horatio implies irony Isabella Kyd's Laertes Lavinia London Lucius Marcus memorial Montferrers monument Moreover mourning Mulryne murder observed Oxford Pandulpho Paul's Theatre performances of remembrance performed remembrance Piero Pigman play play's playhouse popish pray prayers presents Protestant Purgatory Puritan Reformed Reformist religio-political religion religious Renaissance revenge tragedy Revenger's Tragedy rite ritual Roman Roman Actor scene Shakespeare skull sorrow soul Spanish Tragedy stage style suggesting superstition Tamora tears theatre theatrical thou Titus Andronicus tomb traditional vengeance Vindice Vindice's Vittoria White Devil