A Short History of English Versification from the Earliest Times to the Present Day: A Handbook for Teachers and StudentsNorwood Editions, 1911 - 396 pages |
From inside the book
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Page vii
... Alliterative Verse . § 14. Division into Stanzas . • § 15. Metrical Unity of the Long Line . 14 • 3442 15 16 17 20 21 § 16. Theories concerning the Rhythmical Construction of Alliterative Verse § 17. Lachmann . · § 18. Rules of the.
... Alliterative Verse . § 14. Division into Stanzas . • § 15. Metrical Unity of the Long Line . 14 • 3442 15 16 17 20 21 § 16. Theories concerning the Rhythmical Construction of Alliterative Verse § 17. Lachmann . · § 18. Rules of the.
Page xi
... Rhythmical Structure of Brut : a ) Schipper . § 112. b ) Trautmann . § 113. c ) Luick . § 114. Lagamon's Verse has four Members § 115. Proverbs of Alfred . § 116. King Horn · § 117. Rhythmical Structure of King Horn . § 118. Views of ...
... Rhythmical Structure of Brut : a ) Schipper . § 112. b ) Trautmann . § 113. c ) Luick . § 114. Lagamon's Verse has four Members § 115. Proverbs of Alfred . § 116. King Horn · § 117. Rhythmical Structure of King Horn . § 118. Views of ...
Page xii
... Rhythmical Structure of ME . Alliterative Verse . 199 § 160. Alliteration in ME . § 161. Stanza Structure • § 162. The Unity of the Stanza § 163. Concatenatio § 164. Refrain . § 165. Classification . · • 203 205 206 • 206 207 208 210 ...
... Rhythmical Structure of ME . Alliterative Verse . 199 § 160. Alliteration in ME . § 161. Stanza Structure • § 162. The Unity of the Stanza § 163. Concatenatio § 164. Refrain . § 165. Classification . · • 203 205 206 • 206 207 208 210 ...
Page xiii
... Rhythmical Structure of Chaucer's Heroic Verse 246 § 190. Word - stress in Chaucer's Heroic Verse . 249 " • § 191. Caesura in Heroic Verse § 193. Chaucer's use of Rime and Alliteration § 194. Chaucer's Seven - line Stanza . § 195 ...
... Rhythmical Structure of Chaucer's Heroic Verse 246 § 190. Word - stress in Chaucer's Heroic Verse . 249 " • § 191. Caesura in Heroic Verse § 193. Chaucer's use of Rime and Alliteration § 194. Chaucer's Seven - line Stanza . § 195 ...
Page 1
... rhythmical by us as we choose . § 2. Rhythm of Poetry . Quantitative and Accented Metre . Stress or accent in the widest sense of the word , i.e. the prominence of individual syllables over those preceding or following them , is the ...
... rhythmical by us as we choose . § 2. Rhythm of Poetry . Quantitative and Accented Metre . Stress or accent in the widest sense of the word , i.e. the prominence of individual syllables over those preceding or following them , is the ...
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Common terms and phrases
accent alexandrine alliterating sound alliteration alliterative verse anacrusis anapaestic arses arsis arsis and thesis Beow Beowulf blank verse Brut caesura Chaucer Chaucerian stanza compound consonant D¹ verses derivative syllable double alliteration Engl English prosody English Verse enjambement feet feminine endings four bars four beats Germanic half-verse hath hebungen heroic couplet heroic verse hexameters hwile iambic identical rime King Horn lables Lagamon's Latin leod long line long-line Luick masculine endings metre metrical monosyllabic number of syllables ofer ottava rima poems poetry poets rare regular rhythm rhythmical structure rima rimed verse root-syllable scheme Schipper Schwellverse sẽ second half-line septenary Shakespeare short rimed couplet short syllables Sievers sixteenth century sone sonnet Spenserian stanza strongly stressed words subsidiary stress tail-rime stanza thesis three beats three members Trautmann trochaic trochee two-beat theory types unrimed unstressed syllables verse of four verse-ending vowel whilst þat
Popular passages
Page 311 - What private griefs they have, alas, I know not, That made them do it : they are wise and honourable, And will, no doubt, with reasons answer you.
Page 310 - It blesseth him that gives, and him that takes. 'Tis mightiest in the mightiest: it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Page 370 - Behold, where Dryden's less presumptuous car, Wide o'er the fields of glory bear Two coursers of ethereal race, With necks in thunder clothed, and long-resounding pace.
Page 347 - The curfew tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; — Save that from yonder ivy-mantled tower, The moping owl does to the moon complain Of such as, wand'ring near her secret bower, Molest her...
Page 312 - twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I given fire and rifted Jove's stout oak With his own bolt, the strong-bas'd promontory Have I made shake and by the spurs pluck'd up The pine and cedar; graves at my command Have wak'd their sleepers, op'd and let 'em forth By my so potent Art.
Page 366 - The City's voice itself is soft like Solitude's. « I see the Deep's untrampled floor With green and purple seaweeds strown; I see the waves upon the shore. Like light dissolved in star-showers thrown: I sit upon the sands alone; The lightning of the noontide ocean Is flashing round me, and a tone Arises from its measured motion, — How sweet...
Page 378 - A mighty mass of brick, and smoke, and shipping, Dirty and dusky, but as wide as eye Could reach, with here and there a sail just skipping In sight, then lost amidst the forestry Of masts; a wilderness of steeples peeping On tiptoe through their sea-coal canopy; A huge, dun cupola, like a foolscap crown On a fool's head - and there is London Town!
Page 315 - Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen Seed, In the Beginning how the...
Page 322 - Ye who love the haunts of Nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine-trees, And the thunder in the mountains...
Page 365 - THIS is the month, and this the happy morn, Wherein the Son of Heaven's eternal King, Of wedded Maid, and Virgin Mother born, Our great redemption from above did bring...