Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 54Gale Research Company, 1984 |
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Page 17
... present of the guards ' instant challenges and instant replies . This battlement present , however , is one of anxiety , of inadequate information , of vigilance , not the hedonistic present of Herrick's rosebuds . Into this other ...
... present of the guards ' instant challenges and instant replies . This battlement present , however , is one of anxiety , of inadequate information , of vigilance , not the hedonistic present of Herrick's rosebuds . Into this other ...
Page 66
... present in these plays and present in the audience's aesthetic experience of them . Of course , the work of Barber and Frye differs in many ways , and to group these critics together can be mislead- ing ; nevertheless , it does seem to ...
... present in these plays and present in the audience's aesthetic experience of them . Of course , the work of Barber and Frye differs in many ways , and to group these critics together can be mislead- ing ; nevertheless , it does seem to ...
Page 192
... present have forgotten who one was ( Antipholus of Ephesus ) , or one identifies with the present and is disturbed that others relate only to a self with which one no longer identifies ( Antipholus of Syracuse ) . What if one were to ...
... present have forgotten who one was ( Antipholus of Ephesus ) , or one identifies with the present and is disturbed that others relate only to a self with which one no longer identifies ( Antipholus of Syracuse ) . What if one were to ...
Contents
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Copyright | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words