Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 54Gale Research Company, 1984 |
From inside the book
Results 1-3 of 89
Page 31
... look over the text , we , like any readers , are being to a degree distracted by the language of the play . It may be that even an audience in the theatre is being similarly distracted . Nevertheless , a primary theatrical effect is be ...
... look over the text , we , like any readers , are being to a degree distracted by the language of the play . It may be that even an audience in the theatre is being similarly distracted . Nevertheless , a primary theatrical effect is be ...
Page 204
... look of his would soon repair ( 2.1.87-91 , 96-99 ) In a very important way his look constitutes her sense of identity . As she observes in a later comparison , the enamelled jewel , protected from another's gaze and touch , loses its ...
... look of his would soon repair ( 2.1.87-91 , 96-99 ) In a very important way his look constitutes her sense of identity . As she observes in a later comparison , the enamelled jewel , protected from another's gaze and touch , loses its ...
Page 342
... look'd sadly , it was for want of money : and now you are metamorphos'd with a mistress , that , when I look on you , I can hardly think you my master " ( II , i , 18-33 ) . Speed has , in effect , provided a comic definition of the ...
... look'd sadly , it was for want of money : and now you are metamorphos'd with a mistress , that , when I look on you , I can hardly think you my master " ( II , i , 18-33 ) . Speed has , in effect , provided a comic definition of the ...
Contents
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Copyright | |
3 other sections not shown
Other editions - View all
Common terms and phrases
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words