Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 54Gale Research Company, 1984 |
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Page 114
... fact neither of Shakespeare's King Lears but the King Lear familiar to students of the play and , at least in this century , familiar to playgoers for whom ad hoc abbreviations of the edited conflation are played . This essay - an essay ...
... fact neither of Shakespeare's King Lears but the King Lear familiar to students of the play and , at least in this century , familiar to playgoers for whom ad hoc abbreviations of the edited conflation are played . This essay - an essay ...
Page 171
... fact that Aemilia and her family had been separated for 33 years has reminded one critic of the 33 years of Christ's life . " But what point could there be in any such association ? Since in the entire play there is nothing which ...
... fact that Aemilia and her family had been separated for 33 years has reminded one critic of the 33 years of Christ's life . " But what point could there be in any such association ? Since in the entire play there is nothing which ...
Page 336
... fact of its own lie . ' Proteus ' is a name both of a contradiction and of a tautology . His name designates the essence of any name : its universal mutabil- ity . I have said that the scene between Julia and Lucetta has an anticipatory ...
... fact of its own lie . ' Proteus ' is a name both of a contradiction and of a tautology . His name designates the essence of any name : its universal mutabil- ity . I have said that the scene between Julia and Lucetta has an anticipatory ...
Contents
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Copyright | |
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