Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 54Gale Research Company, 1984 |
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Page 327
... desire in such a way as to make it coincide with his own once again . Friendship is this perpetual coincidence of two desires . But envy and jealousy are exactly the same thing . The mimesis of desire is both the best of friendship and ...
... desire in such a way as to make it coincide with his own once again . Friendship is this perpetual coincidence of two desires . But envy and jealousy are exactly the same thing . The mimesis of desire is both the best of friendship and ...
Page 328
... desire , Proteus makes a last effort to save his own independent desire ; but Valentine is implacable : Valentine : Pardon me , Proteus , all I can is nothing To her , whose worth makes other worthies nothing : She is alone . Proteus ...
... desire , Proteus makes a last effort to save his own independent desire ; but Valentine is implacable : Valentine : Pardon me , Proteus , all I can is nothing To her , whose worth makes other worthies nothing : She is alone . Proteus ...
Page 329
... desire of Proteus for Silvia increases , so does Valentine's own desire and his rhetoric becomes livelier . Valentine's strategy is far from exceptional ; we are all able to observe other people practicing it around us and , if we are ...
... desire of Proteus for Silvia increases , so does Valentine's own desire and his rhetoric becomes livelier . Valentine's strategy is far from exceptional ; we are all able to observe other people practicing it around us and , if we are ...
Contents
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Copyright | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words