The Works of Shakespeare, Volume 9J. M. Dent & Company, 1907 |
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... Antony . In this play , as in the case of Coriolanus and Antony and Cleopatra , it is impossible to over - estimate Shake- speare's debt to North's monumental version of the work which has been described as " most sovereign in its ...
... Antony . In this play , as in the case of Coriolanus and Antony and Cleopatra , it is impossible to over - estimate Shake- speare's debt to North's monumental version of the work which has been described as " most sovereign in its ...
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... Antony ; 60 and 44 in Coriolanus ) . An interesting suggestion connects Julius Cæsar with the political affairs of 1601 , to wit , Essex ' reckless conspiracy . It is probably saying too much to make the play a political manifesto , but ...
... Antony ; 60 and 44 in Coriolanus ) . An interesting suggestion connects Julius Cæsar with the political affairs of 1601 , to wit , Essex ' reckless conspiracy . It is probably saying too much to make the play a political manifesto , but ...
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... Antony thinking good that Cæsar's body should be honourably buried , and not in hugger - mugger . " " When the war ... Antony's speech to the citizens ( III . ii . ) is to be found in Plutarch . It is just possible that a few bare hints ...
... Antony thinking good that Cæsar's body should be honourably buried , and not in hugger - mugger . " " When the war ... Antony's speech to the citizens ( III . ii . ) is to be found in Plutarch . It is just possible that a few bare hints ...
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... Antony and Cleopatra ; two direct allusions to Julius Cæsar are noteworthy : —Act II . vi . 14-18 , Act III . ii . 53-56 . Observe , also , the reference to " Cato's daughter , Brutus ' Portia , " in Merchant of Venice ( I. i . 165-166 ) ...
... Antony and Cleopatra ; two direct allusions to Julius Cæsar are noteworthy : —Act II . vi . 14-18 , Act III . ii . 53-56 . Observe , also , the reference to " Cato's daughter , Brutus ' Portia , " in Merchant of Venice ( I. i . 165-166 ) ...
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... Antony , the effect reaches its utmost height . Casar's shade is more powerful to avenge his fall than he himself was to guard against it . After the overthrow of the external splendour and greatness of the conqueror and ruler of the ...
... Antony , the effect reaches its utmost height . Casar's shade is more powerful to avenge his fall than he himself was to guard against it . After the overthrow of the external splendour and greatness of the conqueror and ruler of the ...
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Aaron Alcib Alcibiades Andronicus Apem Apemantus art thou Athens Bassianus bear Benvolio blood brother Brutus Capulet Casca Cassius Chiron Collier conj dead dear death deed dost thou doth emperor empress Enter Exeunt Exit eyes Farewell fear Flav Folios fool Friar friends give gods Goths grief hand Hanmer hath hear heart heaven honour Juliet Julius Cæsar lady Lavinia live look lord Lucilius Lucius Marc Marcus Mark Antony Mercutio Messala Montague ne'er night noble Nurse Octavius play Plutarch Poet prince Publius Quartos Re-enter revenge Roman Rome Romeo Romeo and Juliet Saturninus Scene Senators Serv Shakespeare sorrow speak stay sweet sword Tamora tears tell thee Theobald There's thine thou art thou hast thou wilt thyself Timon Titinius Titus Titus Andronicus tongue Tybalt unto villain weep word ΙΟ