The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 pages Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
From inside the book
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Page 76
... speech , but his seat is empty . During the course of the speech , she is overtaken by such strong emotion that she has to stop speaking to fight it back . When it overcomes her , her voice cracks . But she fights it back again . She ...
... speech , but his seat is empty . During the course of the speech , she is overtaken by such strong emotion that she has to stop speaking to fight it back . When it overcomes her , her voice cracks . But she fights it back again . She ...
Page 97
... speech . Most people do not speak in pol- ished sentences ; they hesitate , stumble over words , elongate vowels , search for what to say next . But if the world of the play calls for articulate , reasoned speech , as in Shaw , embrace ...
... speech . Most people do not speak in pol- ished sentences ; they hesitate , stumble over words , elongate vowels , search for what to say next . But if the world of the play calls for articulate , reasoned speech , as in Shaw , embrace ...
Page 147
... speech , which is con- cerned with articulation , dialect work through study of the Inter- national Phonetic Alphabet ( IPA ) , and text work . First , voice teachers concentrate on freeing the actor's own voice . An actor's voice needs ...
... speech , which is con- cerned with articulation , dialect work through study of the Inter- national Phonetic Alphabet ( IPA ) , and text work . First , voice teachers concentrate on freeing the actor's own voice . An actor's voice needs ...
Contents
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Copyright | |
13 other sections not shown
Common terms and phrases
acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York