The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 pages Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
From inside the book
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Page 16
... keeps you honest . 2. Note any words or phrases that you want to minimize . These are often places where you are avoiding ... keep breath- ing , and release the neck . If nothing more comes , that is OK . Just train your body to relax in ...
... keeps you honest . 2. Note any words or phrases that you want to minimize . These are often places where you are avoiding ... keep breath- ing , and release the neck . If nothing more comes , that is OK . Just train your body to relax in ...
Page 76
... keep her from completing her inten- tion . She did not come into the scene to cry . She came to give her speech and must fight for composure , to keep her bursting heart from overwhelming her . It is a wonderful example of how emotion ...
... keep her from completing her inten- tion . She did not come into the scene to cry . She came to give her speech and must fight for composure , to keep her bursting heart from overwhelming her . It is a wonderful example of how emotion ...
Page 145
... keep a balance be- tween two poles . On the one hand , you must ask yourself : How did we do against an absolute standard of greatness ? What is the best that could be achieved with this scene ? This standard is what keeps you reaching ...
... keep a balance be- tween two poles . On the one hand , you must ask yourself : How did we do against an absolute standard of greatness ? What is the best that could be achieved with this scene ? This standard is what keeps you reaching ...
Contents
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Copyright | |
13 other sections not shown
Common terms and phrases
acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York