To temper clay-Ha! is it come to this? Gon. Pray you, content.-What, Oswald, ho! the fool with thee. fters: acquaint my daughter no further with any thing you know than comes from her demand out of the letter: If your diligence be not speedy, I shall be there before you. Kent. I will not sleep, my lord, 'till I have deliver'd your letter. Fool. If a man's brains were in his heels,were't not in danger of kibes? Lear. Ay, boy. 10 Fool. Then I pr'ythee be merry; thy wit shall not go slip-shod. Lear. Ha, ha, ha! Fool. Shalt see, thy other daughter will use thee kindly; for though she's as like this as a crab is like an apple, yet I can tell what I can tell. Lear. Why, what canst thou tell, boy? Fool. She will taste as like this, as a crab does to a crab. Thou canst tell why one's nose stands i' the middle of one's face? Lear. No. 20 hundred knights! "Tis politic, and safe, to let him keep [dream, Fool. Why, to keep one's eyes on either side one's nose; that what a man cannot smell out, he may spy into. Lear. I did her wrong * : Fool. Canst tell how an oyster makes his shell? Lear. Why? 30 Fool. Why, to put his head in; not to give it away to his daughters, and leave his horns with out a case. Enter Steward. What, have you writ that letter to my sister? [horse: Gon. Take you some company, and away to 40 Fool. Nor I neither; but I can tell why a snail has a house. Let me still take away the harms I fear, Lear. I will forget my nature. So kind a father!Be my horses ready? Oswald? son why the seven stars are no more than seven, is a pretty reason. Lear. Because they are not eight. Fool. Yes, indeed: "Thou would'st make a good fool. Lear. To take it again perforce'!-Monster! ingratitude! [Exeunt. V. A Court-yard before the Duke of Albany's Palace. 55 Lear. Go you before to Gloster with these let Fool. If thou wert my fool, nuncle, I'd have thee beaten for being old before thy time. [Exit Steward. 45 Lear. How's that? This milky gentleness, and course of yours, Alb. How far your eyes may pierce, I cannot 50 mad!- Alb. Well, well; the event. SCENE Fool. Thou should'st not have been old before thou hadst been wise. Lear. O, let me not be mad, not mad, sweet heaven! Keep me in temper; I would not be Enter a Gentleman. [departure, At point, probably means completely armed, and consequently ready at appointment or command on the slightest notice. That is, Unite one circumstance with another, so as to make a consistent account. To be at task, is to be liable to reprehension and correction. musing on Cordelia. He is meditating on his daughter's having in so violent a manner deprived him of those privileges which before she had agreed to grant him. • He is 4 ACT II. Glo. But where is he? Edmund? Edm. Fled this way, sir. When by no means he could[means, what Glo. Pursue him, ho!-Go after.--By no Edm. Persuade me to the murder of your lordBut that I told him, the revenging gods [ship 'Gainst parricides did all their thunders bend; 10 Spoke, with how manifold and strong a bond The child was bound to the father;-Sir, in fine, Seeing how lothly opposite I stood SCENE I. A Castle belonging to the Earl of Gloster. Enter Edmund and Curan, meeting. Edm. SAVE thee, Curan. 5 Cur. And you, sir. I have been with your father; and given him notice, that the duke of Cornwall, and Regan his dutchess, will be here with him to-night. Edm. How comes that? Cur. Nay, I know not: You have heard of the news abroad; I mean the whisper'd ones, for they are yet but ear-kissing arguments 1? Edm. Not 1; Pray you, what are they? To his unnatural purpose, in fell motion, Cur. Have you heard of no likely wars toward, 15 My unprovided body, lanc'd mine arm: 'twixt the dukes of Cornwall and Albany? Edm. Not a word. But when he saw my best alarum'd spirits, Glo. Let him fly far: Not in this land shall he remain uncaught; [ter, That he, which finds him, shall deserve our thanks, Cur. You may then, in time. Fare you well, [Exit. sir. Edm. The duke be here to-night? The better! 20 Best! This weaves itself perforce into my business! My father watches:-O, sir, fly this place; Edg. I am sure on 't, not a word. Edm. I hear my father coming,-Pardon me :- Enter Gloster, and Servants with torches. Edm. When I dissuaded him from his intent, And found him pight' to do it, with curst speech threaten'd to discover him: He replied, "Thou unpossessing bastard! dost thou think, If I would stand against thee, would the reposal "Of any trust, virtue, or worth, in thee [deny, "Make thy words faith'd? No: what I should 35" (As this I would; ay, though thou didst 66 proMy very character) I'd turn it all [duce "To thy suggestion, plot, and damned practice: "And thou must make a dullard of the world, "If they not thought the profits of my death Were very pregnant and potential spurs "To make thee seek it." [Trumpets within. Glo. O strange, fasten'd villain! [him Would he deny his letter, said he?—I never got Hark, the duke's trumpets! I know not why he comes: All ports I'll bar; the villain shall not 'scape; sword out, Mumbling of wicked charms, conjuring the moon Enter Cornwall, Regan, and Attendants. Corn. How now, my noble friend? since I came hither, 2 Queazy 3 5 1 Ear-kissing arguments means, that they are yet in reality only whisper'd ones. means delicate; what requires to be handled nicely. i. e. frighted. i. e. chief; a word now used only in composition, as arch-angel, arch-duke. is severe, harsh, vehemently angry, legal bar of thy illegitimacy. Pight is pitch'd, fixed, settled. • Curst 7i. e. capable of succeeding to my land, notwithstanding the (Which (Which I can call but now) I have heard strange Your graces are right welcome. news. Reg. If it be true, all vengeance comes too short, [knights Glo. I know not, madam: Edm. Yes, madam, he was of that consort. 20 Corn. Nor I, assure thee, Regan.- [Excunt Edm. I shall serve you, sir, Truly, however else." Glo. For him I thank your grace. Corn. You know not why we came to visit you. 40 night. Occasions, noble Gloster, of some prize, Glo. I serve you, madam: SCENE II. Stew. Where may we set our horses? Stew. Pr'ythee, if thou love me, tell me. Stew. Why then I care not for thee. Kent. If I had thee in Lipsbury' pinfold, I would make thee care for me. Stew. Why dost thou use me thus? I know thee not. Kent. Fellow, I know thee. Stew. What dost thou know me for? Kent. A knave, a rascal, an eater of broken meats; a base, proud, shallow, beggarly, threesuited, hundred-pound, filthy worsted-stocking' knave; a lily-liver'd, action-taking knave; a whoreson, glass-gazing, super-serviceable, finical rogue; one-trunk-inheriting slave; one that would'st be a bawd, in way of good service, and 25 art nothing but the composition of a knave, beggar, coward, pandar, and the son and heir of a mungrel bitch; one whom I will beat into cla mourous whining, if thou deny'st the least syllable of thy addition. 30 Edm. 'Twas my duty, sir. Glo. He did bewray his practice'; and receiv'd This hurt you see, striving to apprehend him, Corn. Is he pursu'd? Glo. Ay, my good lord. Stew. Why, what a monstrous fellow art thou, thus to rail on one, that is neither known thee, or knows thee? Corn. If he be taken, he shall never more Be fear'd of doing harm: make your own purpose, Howinmystrengthyou please.--For you, Edmund, Whose virtue and obedience doth this instant So much commend itself, you shall be ours; Natures of such deep trust we shall much need; 35 tript up thy heels, and beat thee, before the You we first seize on. Kent. What a brazen-fac'd varlet art thou, to deny thou know'st me? Is it two days ago, since king? Draw, you rogue: for though it be night, yet the moon shines; I'll make a sop o' the moonshine of you 10: Draw, you whoreson cullionly barber-monger", draw. [Drawing his sword. Stew. Away; I have nothing to do with thee. Kent. Draw, you rascal: you come with letters against the king; and take vanity the puppet's part, against the royalty of her father: Draw, you rogue, or I'll so carbonado your shanks:-draw, 45 you rascal; come your ways. Stew. Help, ho! murder! help! Kent. Strike, you slave; stand, rogue, stand; you neat slave 12, strike. [Beating him. Stew. Help, ho! murder! murder! 50 Enter Edmund, Cornwall, Regan, Gloster, and Sercants. Edm. How now? What's the matter? Part. ? Prize, Shakspeare for insidious mischief. 1i. c. discover, betray.—Practice is always used by or price, for value. i. e. not at home, but at some other place. * Lipsbury pinfold may be a cant expression importing the same as Lob's Pound. 5 Three-suited knave might mean, in an age of ostentatious finery like that of Shakspeare, one who had no greater change of raiment than three suits would furnish him with. A hundred-pound gentleman is a term of reproach. A worstedstocking knare is another term of reproach.-The stockings in England, in the reign of queen Eliza, beth, were remarkably expensive, and scarcely any other kind than silk were worn, even by those who had not above forty shillings a year wages. Lily-liver'd is cowardly; white-blooded and white-liver'd are still in vulgar use. " i. e. titles. 10 This is equivalent to our modern phrase of making the sun shine through any one. "Barber-monger may mean deuler in the lower tradesmen: a slur upon the steward, as taking fees for a recommendation to the business of the family. acut slave, incans no more than you finical rascal, you who are an assemblage of foppery and poverty, 8 12 You Kent. Kent. His countenance likes me not. [or hers 5 Kent. Ay, a tailor, sir: a stone-cutter, or a paint-15 er could not have made him so ill, though they had been but two hours at the trade. You beastly knave, you know no reverence? Kent. That such a slave as this should wear a Corn. This is some fellow, [affect Corn. Speak yet, how grew your quarrel? Stew. This ancient ruffian, sir, whose life I have spar'd Kent. Sir, in good sooth, or in sincere verity, Under the allowance of your grand aspect, Whose influence, like the wreath of radiant fire On flickering " Phoebus' front, 20 At suit of his grey beard,— Kent. Thou whoreson zed! thou unnecessary letter!--My lord, if you will give me leave, I will tread this unbolted villain into mortar, and daub the wall of a jakes with him.-Spare my 25 grey beard, you wagtail? Corn. Peace, sirrah! Corn. What mean'st thou by this? Kent. To go out of my dialect, which you discommend so much. I know, sir, I am no flatterer: he that beguil'd you, in a plain accent, was a plain knave; which, for my part, I will not be, though I should win your displeasure to entreat me to it. Corn. What was the offence you gave him? 30 It pleas'd the king his master, very late, Kent. None of these rogues, and cowards, 40 But Ajax is their fool 12. Corn. Fetch forth the stocks, ho! [gart, You stubborn ancient knave, you reverend bragWe'll teach you Kent. Sir, I am too old to learn: 45 Call not your stocks for me: I serve the king; Corn. Fetch forth the stocks: Corn. Why dost thou call him knave? What's his offence? 50 3 1 Mr. Steevens observes, that Zed is here probably used as a term of contempt, because it is the last Letter in the English alphabet, and as its place may be supplied by S, and the Roman alphabet has it not, neither is it read in any word originally Teutonic. Unbolted mortar, according to Mr. Tollett, is mortar made of unsifted lime; and therefore, to break the lumps, it is necessary to tread it by men in wooden shoes.-This unbolted villain is, therefore, this course rascal. By these holy cords, the poet means the natural union between parents and children.-The metaphor is taken from the cords of the sanctuary; and the fomenters of family-differences are compared to these sacrilegious rats. The halcyon is the bird otherwise called the king-fisher.-The vulgar opinion was, that this bird, if hung up, would vary with the wind, and by that means shew from what point it blew. "The frighted countenance of a man ready to fall in a fit. Camelot was the place where, the romances say, king Arthur kept his court in the West: so this alludes to some proverbial speech in those romances.-In Somersetshire, adds Hanmer, near Camelot, are many large moors, where are bred great quantities of geese, so that many other places are from hence supplied with quills and feathers. i. e. pleases me not. i..e. forces his outside or his appearance to something totally different from his natural disposition. Silly here means only simple, or rustic. 10 i. e. foolishly. "Dr. Johnson, in his Dictionary, says; this word means to flutter. Their fool means here, their butt, their laughing-stock. As I have life and honour, there shall he sit 'till noon. Regan. 'Till noon! 'till night, my lord; and all night too. Kent. Why, madam, if I were your father's dog, 5 You should not use me so. stocks. Glo. Let me beseech your grace not to do so: His fault is much, and the good king his master Will check him for 't: your purpos'd low cor rection [Take vantage, heavy eyes, not to behold Fortune, good night; smile once more; turn thy Regan. Sir, being his knave, I will. [Stocks brought out. Corn. This is a fellow of the self-same colour Our sister speaks of :-Come, bring away the 10 Is such, as basest and the meanest wretches, SCENE III. 15 Edg. I heard myself proclaim'd; 4 Corn. I'll answer that. [worse, Come, my good lord; away. Some time I shall sleep out, the rest I'll whistle. Glo. The duke's to blame in this; 'twill be ill mon saw ! Thou out of heaven's benediction com'st 45 Approach, thou beacon to this under globe, SCENE IV. Lear. 'Tis strange, that they should so depart And not send back my messenger. 40 Gent. As I learn'd, The night before there was no purpose in them Kent. Hail to thee, noble master! [time? Lear. How! mak'st thou this shame thy pas Kent. No, my lord. Fool. Ha, ha; look! he wears cruel garters! Horses are ty'd by the heads; dogs and bears by the neck; monkies by the loins, and men by the legs: when a man is over-lusty' at legs, then he 50 wears wooden nether-stocks". [mistook Lear. What's he, that hath so much thy place To set thee here? That art now to exemplify the common proverb, that out of, &c.; that changest better for worse. Hanmer observes, that it is a proverbial saying, applied to those who are turned out of house and home to the open weather. It was perhaps first used of men dismissed from an hospital, or house of charity, such as was erected formerly in many places for travellers. Those houses had names properly enough alluded to by heaven's benediction.—The sur alluded to, is in Heywood's Dialogues on Proverbs, book ii. chap. 5. "In your running from him to me, ye runne ? Hair knotted, was vulgarly supposed to be the work of elves and fairies in the night. 3i. e. skewers. i. e. paltry. To ban, is to curse. Mr. Steevens believes that a quibble was here intended. Crewel signifies worsted, of which stockings, garters, night-caps, &c. are made. ' Over-lusty in this place has a double signification.-Lustiness anciently meant sauciness. old word for stockings.—Breeches were at that time called "men's over-stocks.” • Nether-stocks is the Kent. |