The Plays of William Shakespeare : Accurately Printed from the Text of the Corrected Copy Left by the Late George Steevens: With a Series of Engravings, from Original Designs of Henry Fuseli, and a Selection of Explanatory and Historical Notes, from the Most Eminent Commentators; a History of the Stage, a Life of Shakespeare, &c. by Alexander Chalmers, Volume 3F.C. and J. Rivington, 1805 |
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Page 6
... SCENE , partly at Venice , and partly at Belmont , the Seat of Portia , on the Continent . 1 In the old editions in quarto , for J. Roberts , 1600 , and in the old folio , 1623 , there is no enumeration of the persons . It was first ...
... SCENE , partly at Venice , and partly at Belmont , the Seat of Portia , on the Continent . 1 In the old editions in quarto , for J. Roberts , 1600 , and in the old folio , 1623 , there is no enumeration of the persons . It was first ...
Page 7
... SCENE I. Venice . A Street . Enter ANTONIO , SALARINO , and SALANIO . Ant . In sooth , I know not why I am so sad ; It wearies me ; you say , it wearies you ; But how I caught it , found it , or came by it , What stuff ' tis made of ...
... SCENE I. Venice . A Street . Enter ANTONIO , SALARINO , and SALANIO . Ant . In sooth , I know not why I am so sad ; It wearies me ; you say , it wearies you ; But how I caught it , found it , or came by it , What stuff ' tis made of ...
Page 17
... SCENE III . Venice . A publick Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , -well . Bass . Ay , sir , for three months . Shy . For three months , -well . Bass . For the which , as I told you , Antonio shall be ...
... SCENE III . Venice . A publick Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , -well . Bass . Ay , sir , for three months . Shy . For three months , -well . Bass . For the which , as I told you , Antonio shall be ...
Page 23
... guard , & c . ] Fearful guard , is a guard that is not to be trusted , but gives cause of fear . To fear was an- ciently to give as well as feel terrours . VOL . II . E JOHNSON . ACT II . SCENE I. Belmont . A Room in MERCHANT OF VENICE .
... guard , & c . ] Fearful guard , is a guard that is not to be trusted , but gives cause of fear . To fear was an- ciently to give as well as feel terrours . VOL . II . E JOHNSON . ACT II . SCENE I. Belmont . A Room in MERCHANT OF VENICE .
Page 24
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
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Common terms and phrases
Antigonus Antonio Autolycus Baptista Bass Bassanio BERTRAM Bian Bianca Bion BIONDELLO Camillo CLEOMENES Count court daughter doth ducats Duke Enter Exeunt Exit eyes fair father fear fool fortune gentle gentleman give Gremio Grumio hand hath hear heart heaven Hermione honour Hortensio i'the JOHNSON Kate Kath KATHARINA King knave lady Laun Launcelot Leon look lord Lucentio madam maid MALONE marry master means MERCHANT OF VENICE mistress musick Nerissa never Orlando Padua peize Petruchio Pisa play Polixenes pr'ythee pray queen ring Rosalind Rousillon Salan SCENE Servant Shakspeare Shep Shylock Sicilia signior speak STEEVENS swear sweet tell thee There's thine thing thou art thou hast Touch Tranio unto Venice wife Winter's Tale word young