Shakespeare's The Winter's Tale, Volume 2Creative Media Partners, LLC, 1872 - 218 pages This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
From inside the book
Results 1-5 of 41
Page 29
... beauty within her . When she finds that her heart's dear cause is sacrificed to the schemes of politicians ; when it turns out that the King of France and the Archduke of Austria are driving their own ends in her name , and only ...
... beauty within her . When she finds that her heart's dear cause is sacrificed to the schemes of politicians ; when it turns out that the King of France and the Archduke of Austria are driving their own ends in her name , and only ...
Page 53
... beauty : but there seems to be no principle of cohesion or concert among them ; so that he acts in each of them by turns , never in all of them , hardly ever in two of them , at once . He thus moves alto- gether by fits and starts , and ...
... beauty : but there seems to be no principle of cohesion or concert among them ; so that he acts in each of them by turns , never in all of them , hardly ever in two of them , at once . He thus moves alto- gether by fits and starts , and ...
Page 75
... beauty of movement and of repose , it comes into the surrounding elements like a patch of sunshine in a tempest . The best of historical matter for poetical and dramatic uses has seldom been turned to better account that way than in the ...
... beauty of movement and of repose , it comes into the surrounding elements like a patch of sunshine in a tempest . The best of historical matter for poetical and dramatic uses has seldom been turned to better account that way than in the ...
Page 79
... beauty and promise . * * Our sympathies would be almost wholly with Hotspur and his friends , had not the Poet raised up a new interest in the chivalrous bearing of Henry of Mon- At the battle of Shrewsbury , as already stated , PRINCE ...
... beauty and promise . * * Our sympathies would be almost wholly with Hotspur and his friends , had not the Poet raised up a new interest in the chivalrous bearing of Henry of Mon- At the battle of Shrewsbury , as already stated , PRINCE ...
Page 81
... beauty with which both poetry and history have invested him . In this delineation are many passages over which the lover of poetry and manhood delights to linger ; but it would be something out of keeping with my method to quote any of ...
... beauty with which both poetry and history have invested him . In this delineation are many passages over which the lover of poetry and manhood delights to linger ; but it would be something out of keeping with my method to quote any of ...
Common terms and phrases
action Anne Boleyn Antony Antony and Cleopatra appears Banquo battle of Shrewsbury beauty better Brutus Cæsar Cassius Catharine cause character Claudius Cloten conscience Coriolanus course crime critics crown Cymbeline death delineation Desdemona drama effect English fact Falstaff father fear feelings folio genius give Hamlet hand heart hero Holinshed honour Hotspur human humour Iago Imogen intellectual John judgment Julius Cæsar kindled King Henry King Lear King's Lear Macbeth madness manhood marriage matter mind Moor moral murder nature never noble Othello passage passion perhaps person piece play Plutarch Poet Poet's poetry Polonius pride Prince purpose quarto Queen reason renders respect revenge Richard Roman scene seems sense Shakespeare shows sort soul speak speech spirit stand strength strong style sure sweet thee thing thou thought tion touch tragedy true truth virtue Weird Sisters whole withal words
Popular passages
Page 28 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
Page 57 - God save him !" No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience, — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Page 88 - twas time to counterfeit, or that hot termagant Scot had paid me scot and lot too. Counterfeit? I lie, I am no counterfeit : to die, is to be a counterfeit ; for he is but the counterfeit of a man who hath not the life of a man : but to counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed.
Page 114 - I know you all, and will awhile uphold The unyok'd humour of your idleness ; Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wonder'd at, By breaking through the foul and ugly mists Of vapours that did seem to strangle him.
Page 415 - Yare, yare, good Iras; quick. — Methinks, I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: Husband, I come: Now to that name my courage prove my title ! I am fire, and air; my other elements I give to baser life.
Page 167 - O! coward conscience, how dost thou afflict me. The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What! do I fear myself? there's none else by Richard loves Richard; that is, I am I.
Page 338 - It is too full o' the milk of human kindness To catch the nearest way : thou wouldst be great ; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily ; wouldst not play false, And yet wouldst wrongly win: thou'dst have, great Glamis, That which cries ' Thus thou must do, if thou have it; And that which rather thou dost fear to do Than wishest should be undone.
Page 285 - I'll observe his looks; I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Page 230 - His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Page 196 - Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty. Still in thy right hand carry gentle peace, To silence envious tongues.