On Producing ShakespeareB. Blom, 1964 - 335 pages |
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... theatre has yet offered them . " Perhaps the dream of a practical stage for the trying - out of theories and for demonstrations of established truths may not be realised , for theatres are costly things to build . Yet it would ap- pear ...
... theatre has yet offered them . " Perhaps the dream of a practical stage for the trying - out of theories and for demonstrations of established truths may not be realised , for theatres are costly things to build . Yet it would ap- pear ...
Page 11
... theatre . Amid a bewildering variety of experiments in new methods of presentation , one fact emerges with unmistakable clarity — that never since the closing of the theatres in 1642 has a play of his been performed in the conditions ...
... theatre . Amid a bewildering variety of experiments in new methods of presentation , one fact emerges with unmistakable clarity — that never since the closing of the theatres in 1642 has a play of his been performed in the conditions ...
Page 313
... theatre . Shakespeare's genius con- sisted not only in the creation of pure poetry and in the deeply sensitive understanding of the human heart , but also in transforming his theatre by poetical means into a whole world of the ...
... theatre . Shakespeare's genius con- sisted not only in the creation of pure poetry and in the deeply sensitive understanding of the human heart , but also in transforming his theatre by poetical means into a whole world of the ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised