On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 27
... speech- headings were printed either from the author's original manuscript or from a close transcript of this . I believe that , although Shake- speare generally fixed upon a name for each of his characters on his or her first ...
... speech- headings were printed either from the author's original manuscript or from a close transcript of this . I believe that , although Shake- speare generally fixed upon a name for each of his characters on his or her first ...
Page 131
... speech , and more especially in Hamlet's comment— Is it not monstrous that this Player heere , But in a Fixion , in a dreame of Passion , Could force his soule so to his whole conceit , That from her working , all his visage warm'd ...
... speech , and more especially in Hamlet's comment— Is it not monstrous that this Player heere , But in a Fixion , in a dreame of Passion , Could force his soule so to his whole conceit , That from her working , all his visage warm'd ...
Page 235
... speeches which create the action in " Messenger Speech " form . Such too is the open- ing dialogue of The Merchant of Venice , in which Solanio and Salarino , " cursed by actors as the two worst bores in the whole Shakespearean canon ...
... speeches which create the action in " Messenger Speech " form . Such too is the open- ing dialogue of The Merchant of Venice , in which Solanio and Salarino , " cursed by actors as the two worst bores in the whole Shakespearean canon ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised