On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 127
... seen this episode ourselves already , in which case the re - enaction is a commentary on what we have seen . Immediately after the rehearsal of the mechani- cals in the wood , with Bottom's translation and Titania's awakening , Puck ...
... seen this episode ourselves already , in which case the re - enaction is a commentary on what we have seen . Immediately after the rehearsal of the mechani- cals in the wood , with Bottom's translation and Titania's awakening , Puck ...
Page 128
... seen but which is important in the run of the plot . Salarino's account of the parting of Anthonio and Bassanio is such a narrative : the player would show us the action of the kind , melancholy merchant , as he speaks the cadence : And ...
... seen but which is important in the run of the plot . Salarino's account of the parting of Anthonio and Bassanio is such a narrative : the player would show us the action of the kind , melancholy merchant , as he speaks the cadence : And ...
Page 140
... seen through your stratagem . " And the ensuing tale with its monstrous arithmetical progression is seen by the audience for what it is - Falstaff's ripost to the Prince's trick.102 Granville- Barker has explained how the conditions of ...
... seen through your stratagem . " And the ensuing tale with its monstrous arithmetical progression is seen by the audience for what it is - Falstaff's ripost to the Prince's trick.102 Granville- Barker has explained how the conditions of ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised