On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 13
... producers , and even sometimes by scholars , that there are many different ways of presenting Shakespeare and every ... producer , in approaching one or other of the plays , to assume that Shakespeare knew more about stagecraft than he ...
... producers , and even sometimes by scholars , that there are many different ways of presenting Shakespeare and every ... producer , in approaching one or other of the plays , to assume that Shakespeare knew more about stagecraft than he ...
Page 151
... producer must here seek some expert elucidation of the Elizabethan social background.131 Falstaff himself suffers if producer and actor have not a firm concep- tion of his social status , if the actor is hail - fellow - well - met with ...
... producer must here seek some expert elucidation of the Elizabethan social background.131 Falstaff himself suffers if producer and actor have not a firm concep- tion of his social status , if the actor is hail - fellow - well - met with ...
Page 276
... producer or player or of the audience ) , if he wishes confirmation of this or that point , may glance back to the fuller explanation above . Our only prompt - book for Macbeth is the Folio text : it is not possible to discuss here the ...
... producer or player or of the audience ) , if he wishes confirmation of this or that point , may glance back to the fuller explanation above . Our only prompt - book for Macbeth is the Folio text : it is not possible to discuss here the ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised